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This article examines the relationship between literary and bioarchaeological approaches to slavery, and investigates how the methods and priorities of each discipline might inform each other in understanding what it was like to be enslaved. Both bioarchaeologists and creative writers have attempted to access the inner lives of enslaved people, yet there has been little interaction between them. This paper offers an account of a research project which brought together a literary scholar, two archaeological scientists and seven creative writers to explore how writing might not only communicate a history understood through archaeological evidence, but could itself inform approaches to that evidence. We discuss two key themes which emerged from the project: Conversation and Caring. These themes were crucial to the interdisciplinary process, as it was only through attention to our relationships with each other that we could begin to reassess the nature of material in each of our disciplines.  相似文献   
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McLellan  Josie 《German history》2004,22(4):536-562
After the German communist author Alfred Kantorowicz's breakwith Communism in 1957, he was lionized by his supporters asan icon of humanism and antifascism, and vilified by his formerallies as a turncoat and traitor. In his autobiographical writings,Kantorowicz portrayed himself as a victim of Stalinism, whohad always been opposed to the authoritarian and repressiveaspects of Communism. Again and again he returned to his timein the International Brigades as a way of illustrating bothhis commitment to antifascism and the betrayal of grassrootsCommunism by the party leadership. But contemporary recordsreveal a more ambiguous picture: not only was Kantorowicz along-time functionary, he was also more involved in the repressiveaspects of Communism than he later cared to admit. This articleargues that, like many ex-Communist biographies of the ColdWar, Kantorowicz's memoirs are shot through with retrospectiveself-justification. Given his post-1957 loathing for Communism,he needed to explain why he had joined the party in the firstplace, and then remained an active member for twenty-five years.By organizing his life around the dichotomies of footsoldiersand functionaries, antifascism and Stalinism, and censorshipand truth, Kantorowicz was able to avoid discussing his ownculpability as a Communist functionary.  相似文献   
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