A love story: for ‘Buddy System’ research in the academy

This article makes a case for a ‘buddy system’ approach to research and scholarship, or a kind of ‘caring with’ our colleagues, as feminist praxis and as an intentional, politicized response to the neoliberalization of the academy. Through autoethnographic writing on our travels together into farmed animal auction yards, we explain the buddy system as a mode of caring, solidarity, and love that differs from collaborative research, focused as it is on caring for and about our colleagues and their research even (or especially) when we have no direct stakes in the research being conducted. We contribute to three feminist conversations with this approach: feminist care ethics in geography; emotional geographies; and critical perspectives on the neoliberalization of the academy. We advocate the buddy system as an extension of feminist care ethics, enriching how feminists think about ‘doing’ research. We draw on feminist geographies of emotion and our own emotions (grief especially) experienced while witnessing processes of nonhuman animal commodification to politicize the act of researching and to develop a more caring way of inhabiting the academy. This is particularly important, we argue, in the context of deepening neoliberal logics that turn the academy into a place where care and love become radical acts of resistance and transformation.     

Sexualized violence and the gendered commodification of the animal body in Pacific Northwest US dairy production

This article draws on a case study of bovine life in the US dairy industry to observe the power relations and violent networks of commodification involved. I use the terms gendered commodification and sexualized violence to understand the lives of animals in the industry and the discourses that are employed to reproduce its practices. Focusing on sex and gender, concepts which have long been classic in feminist geography, this article explores the sexually violent commodification of both female and male animals in dairy production. In addition to the ways in which both are exploited for their productive and reproductive capacities, male animals are also discursively conceptualized as perpetrators of the violence against the females. This article engages with geographies of the body and animal geographies in order to extend geographies of the body to other-than-human bodies and in order to feature the body more prevalently in animal geographies. This attention to the animal body ultimately reveals the pervasiveness of sexual violence and the consequences of gendered commodification for both nonhuman and human others.     

Manoeuvring men: masculinity as spatially defined readability at the grandes manoeuvres of the Belgian army, 1882–1883

This article uses the case study of the Belgian grandes manoeuvres of 1882 and 1883 to explore the ways in which self-defined ‘all male’ spaces can contribute to the study and deconstruction of historical masculinities. Using the manoeuvres of the Belgian army at the end of the nineteenth century as a theatre of (military as well as civilian) corporeal and discursive practices, the simultaneous enactment of masculinity and nation is analysed. The material spaces in which these military exercises took place are understood as contingent creators instead of passive containers of masculinity: that is, rather than as a passive background to soldiers' movements, the champ de manoeuvres appears as an active stage, aiding the construction of a gendered military identity, but also challenging dichotomous understandings of gender. Likewise, the gaze upon both landscape and soldiers by different audiences plays an active part in the story of the construction of masculinity and nation: the act of recognition, performed by male and female civilians, during and after the manoeuvres was crucial for the continuous repetition of the discourse that created and upheld notions of ‘man’ and of ‘Belgium’.     

The continuing saga around arts funding and the cultural wars in Australia

Cultural policy, and arts funding in particular, has been a site of much contention and discussion in Australia over the past decade. The events of the past two years took this to another level showing major ideological schisms in the present political approach. While the established arts sector was protected and consolidated, the emerging sector, individual artists, and small organisations were all negatively affected. The policy changes demonstrate the implicit challenges of direct political intervention in arts funding. What this period highlights also though is the vulnerability of artists and the philosophical contradictions around the nature of arts funding.     

Introduction

The city has been ubiquitous in cultural analysis of the Victorian period and continues to provide the impetus for some of the most exciting and innovative work in nineteenth-century studies across a range of disciplines. While showing how new work is building on earlier studies and theoretical models, this Introduction demonstrates the emergence of a new agenda characterized by three fresh emphases: on demographic mobility, on material culture and everyday life, and on social networks. Accordingly, the essays in this collection have identified new sources: archaeological excavations of household objects, unpublished diaries, tracts and archival records of late-nineteenth-century missions, articles published in the periodical press and cartographic material, as well as literary texts. All of the essays in this collection concentrate on London, but London now is construed as a meeting point or intersection in a web of national and international relations. The city is newly conceptualized as a hub in wider networks of exchange and communication, and the critical attention moves between the local and its relationship to the transnational. There is a fresh attention to scale, as the minutiae of everyday life reveal stories of much larger significance.     

A new Miocene carnivorous marsupial,Barinya kutjamarpensis (Dasyuromorphia), from central Australia

Binfield, P., Archer, M., Hand, S.J., Black, K.H., Myers, T.J., Gillespie, A.K. & Arena, D.A., June 2016. A new Miocene carnivorous marsupial, Barinya kutjamarpensis (Dasyuromorphia), from central Australia. Alcheringa 41, xx–xx. ISSN 0311-5518.

A new dasyuromorphian, Barinya kutjamarpensis sp. nov., is described on the basis of a partial dentary recovered from the Miocene Wipajiri Formation of northern South Australia. Although about the same size as the only other species of this genus, B. wangala from the Miocene faunal assemblages of the Riversleigh World Heritage Area, northwestern Queensland, it has significant differences in morphology including a very reduced talonid on M₄ and proportionately wider molars. Based on the structural differences and the more extensive wear on its teeth, the central Australian species might have consumed harder or more abrasive prey in a more silt-rich environment than its congener, which hunted in the wet early to middle Miocene forests of Riversleigh.

Pippa Binfield [pippa.binfield@outlook.com], Michael Archer [m.archer@unsw.edu.au], Suzanne J. Hand [s.hand@unsw.edu.au], Karen H. Black [k.black@unsw.edu.au], Troy J. Myers [t.myers@unsw.edu.au] Anna K. Gillespie [a.gillespie@unsw.edu.au] and Derrick A. Arena [rick@sitc.net.au], PANGEA Research Centre, School of Biological, Earth and Environmental Sciences, University of New South Wales 2052, Sydney, Australia.