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This article uses the case study of the Belgian grandes manoeuvres of 1882 and 1883 to explore the ways in which self-defined ‘all male’ spaces can contribute to the study and deconstruction of historical masculinities. Using the manoeuvres of the Belgian army at the end of the nineteenth century as a theatre of (military as well as civilian) corporeal and discursive practices, the simultaneous enactment of masculinity and nation is analysed. The material spaces in which these military exercises took place are understood as contingent creators instead of passive containers of masculinity: that is, rather than as a passive background to soldiers' movements, the champ de manoeuvres appears as an active stage, aiding the construction of a gendered military identity, but also challenging dichotomous understandings of gender. Likewise, the gaze upon both landscape and soldiers by different audiences plays an active part in the story of the construction of masculinity and nation: the act of recognition, performed by male and female civilians, during and after the manoeuvres was crucial for the continuous repetition of the discourse that created and upheld notions of ‘man’ and of ‘Belgium’.  相似文献   
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Abstract: This paper explores the current discourse about arts policy and funding and its placement within an economic paradigm. The models of “cultural industry” and “creative industry” are explored and how they affect arts funding discourse. Similarly the impact of the introduction of the language of industry and business to the arts sector is considered. If bottom-line arguments are used by funders, governments and critics to argue the merits or otherwise of arts activity, how does this affect arts practice? In recent times arts funding agencies have been restructured to reflect a market-driven agenda rather than an arts-driven agenda. The impact of all these issues is considered in the context of Australian arts' models in particular, but with reference to examples in the United Kingdom and the United States of America. The paper concludes with suggestions for a reassertion of core cultural values in future discourse.  相似文献   
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Cultural policy, and arts funding in particular, has been a site of much contention and discussion in Australia over the past decade. The events of the past two years took this to another level showing major ideological schisms in the present political approach. While the established arts sector was protected and consolidated, the emerging sector, individual artists, and small organisations were all negatively affected. The policy changes demonstrate the implicit challenges of direct political intervention in arts funding. What this period highlights also though is the vulnerability of artists and the philosophical contradictions around the nature of arts funding.  相似文献   
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Introduction     
The city has been ubiquitous in cultural analysis of the Victorian period and continues to provide the impetus for some of the most exciting and innovative work in nineteenth-century studies across a range of disciplines. While showing how new work is building on earlier studies and theoretical models, this Introduction demonstrates the emergence of a new agenda characterized by three fresh emphases: on demographic mobility, on material culture and everyday life, and on social networks. Accordingly, the essays in this collection have identified new sources: archaeological excavations of household objects, unpublished diaries, tracts and archival records of late-nineteenth-century missions, articles published in the periodical press and cartographic material, as well as literary texts. All of the essays in this collection concentrate on London, but London now is construed as a meeting point or intersection in a web of national and international relations. The city is newly conceptualized as a hub in wider networks of exchange and communication, and the critical attention moves between the local and its relationship to the transnational. There is a fresh attention to scale, as the minutiae of everyday life reveal stories of much larger significance.  相似文献   
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Unprecedented bushfire activity is increasing around the world. A catastrophic bushfire event in the Australian summer of 2019–2020 burned over 18 million hectares. The Australian bushfires were just one set of events among many across the globe. Cumulatively, the losses are extraordinary: from losing over a quarter of the Pantanal wetland in South America to California’s Sierra Nevada and losses in the Amazon Forest. Bushfire destruction means a concomitant loss of biological diversity. Increased fire activity and frequency can adversely affect adaptive capacities of flora and fauna. Accordingly, across the globe, fire management practices and mitigation strategies are under increased scrutiny. In this article, we consider the extent to which one fire suppression strategy, prescribed burning, takes account of non-human considerations. Our examination of policy settings provides policymakers with a way to account for non-human interests. Our focus is Australia, specifically relating to one national park within New South Wales. Across the world, fire containment strategies must be reassessed to decipher how well non-human considerations are placed to withstand changing fire regimes. With likely increases in bush and wildfire activity across the globe, associated with Anthropocentric climate change, there is an urgent need to account for non-human interests in prescribed burning policies and regulations.  相似文献   
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This paper contemplates whether, and in what ways, proprietary interests in land and land usage are affected by a World Heritage listing, using Angkor Archaeological Park, Cambodia, as the case study. The effect is measured through the identification and synthesis of the national legislative and local regulatory response to the implementation of the World Heritage listing. Such an analysis illustrates that the listing imposes significant restraints on land use and ownership which impact directly on the local resident communities of Angkor. A breakdown of the regulatory response also highlights the limitations inherent in the existing regulatory framework. There is a consideration of the concept of ‘ownership’ in a World Heritage site of ‘outstanding universal value’. In raising these issues, this paper highlights the challenges facing heritage managers in attempting to marry local needs with the demands of international heritage protection in the setting of a post‐conflict Southeast Asian nation.  相似文献   
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