Terminal Pleistocene and Holocene hunters and gatherers in the eastern Sudan

Excavations by the joint University of Khartoum/Southern Methodist University Butana Project in the area just north of Khashm el Girba on the upper Atbara River have uncovered a series of preceramic and early ceramic occupations by hunters and gatherers which date fromca 10,000 bp toca 6200 bp. The earlier sites show no direct relations with those of similar age in the northern Sudan, while the later, early ceramic sites show only minor similarities with contemporary occurrences in the central Nile Valley. Thus, it appears that the upper Atbara River Valley played no role in the development of the Khartoum Mesolithic and that Nilotic influences were late reaching the eastern Sudan.

---

Résumé Des fouilles entreprises par le projet Butana dirigé en commun par l'université de Khartoum et le Southern Methodist University dans la région juste au nord de Khashm el Girba sur le cours supérieur de l'Atbara, ont découvert une série d'occupations précéramiques et céramiques anciennes de chasseurs-cueilleurs, qui datent deca 10,000 bp àca 6200 bp. Les gisements les plus anciens ne semblent pas avoir eu de relations directes avec ceux de la même période dans le nord du Soudan, tandis que les gisements plus tardifs à céramiques ne montrent que de petites analogies avec des occupations contemporaines dans la vallée centrale du Nil. Il semble donc que la haute vallée de l'Atbara n'a joué aucun rôle dans le développement du Mésolithique de Khartoum et que des influences nilotiques n'atteignirent que bien plus tard le Soudan oriental.

     

‘When God sees us in the circuses’: Salvian of Marseille’s De gubernatione Dei and the critique of Roman society

This article addresses Salvian of Marseille’s treatise on God’s governance (De gubernatione Dei), one of the most important sources for the Germanic peoples’ period of migration at the beginning of the fifth century. It focuses in particular on Salvian’s critique of public entertainment, in the middle of Book VI. As I would like to show, his invective against this aspect of Roman life is closely connected to the theme underlying the entire treatise, since it offers a key argument for Salvian’s attempt to demonstrate collective responsibility for the present crisis. At the same time, the author’s critique of the circus and the theatre stands as a defining point in his greater appeal for moral reform, letting him challenge the desire in Trier to bring back the city’s glorious past through a restoration of public entertainment.