WOMEN'S FACIAL TATTOOING AMONG THE MAISIN OF ORO PROVINCE,PAPUA NEW GUINEA: THE CHANGING SIGNIFICANCE OF AN ANCIENT CUSTOM

The Maisin women of northeastern Papua New Guinea are among the last coastal Papuans to tattoo their faces. This article first describes the techniques and social process of Maisin tattooing. We then examine the resilience of the custom in light of changes in puberty rites and notions of gender. We argue that these contexts have lost their cultural salience as a result of the Maisins' incorporation into the larger Papua New Guinea society. Tattooing has acquired new significance as a marker of cultural identity in a multicultural setting and as a sign of the Maisin people's commercial success as makers of indigenous art.     

John Patrick Sarsfield's Santa Clara: an addendum

It was a pleasure for this writer to see the two articles in IJNA , 21.4 , on John Sarsfield's Santa Clara , after following the field work that led to it, and providing many of the documentary sources from 1983. John had contacted me through the kind offices of Ruth Baker [widow of W. A. (Bill) Baker; she died last year] and I would like to record our indebtedness to that charming and knowledgeable lady, who took such interest in any extension of her husband's work. Sarsfield's work was so important that comments are here offered on the two papers (Carrell, 1992; Nance, 1992).     

Marginalized Potters and Ceramic Compositional Groups: Neutron Activation Analysis of Contemporary Pottery from Tigray,Northern Highland Ethiopia

The study presents the results of neutron activation analysis (NAA) of contemporary pottery from Tigray Regional State, northern highland Ethiopia. This is the first regional-scale study of ceramic composition of Tigray’s pottery and is part of an ethnoarchaeological study of the material and social contexts of pottery production and consumption in Tigray’s Eastern (Misraqawi), Central (Mehakelegnaw), and North-western (Semien Mi’irabawi) zones. The analysis identifies clear compositional groups with strong regional patterns, an encouraging result for the use of NAA to study Tigray’s ancient pottery trade. Significantly, the study further contributes to discussions of how mutually constituted social identities of potters and consumers affect compositional patterning in the distribution of pottery in market networks.     

Aspects of the history of the nerves: Bell's theory, the Bell-Magendie law and controversy, and two forgotten works by P.W. Lund and D.F. Eschricht

The French physiologist Fran?ois Magendie showed, in 1822, that the anterior roots of the spinal nerves are motor and the posterior sensory. The English anatomist Charles Bell claimed the discovery, but his claim was based on republications of papers in which the wording had been altered to be consistent with Magendie's findings. Bell also appropriated Herbert Mayo's discoveries of the functions of the fifth and seventh cranial nerves. Bell repeated his claims in a number of influential publications, supported by his brothers-in-law John and Alexander Shaw. And for a century and a half, Bell figured as the discoverer in most references to the subject. During this period, several reviewers did go back to Bell's original papers, disclosing Bell's falsifications in the republished texts. But Magendie was not definitely acknowledged as the discoverer of the function of the spinal nerve roots until Cranefield's (1974) treatise. Cranefield, as did all other reviewers, overlooked accounts from 1825 by P.W. Lund and F.D. Eschricht. They critically reviewed Bell's early publications and reached conclusions similar to those of Cranefield concerning the roles of Bell and Magendie in the discovery of the function of the spinal nerve roots.     

‘Business as usual’: the impact of the Great War on the British ceramics industry

SUMMARY: The Great War had a dramatic impact upon the manufacturing industries and trade of the United Kingdom, and not least upon the ceramics industry. Manufacturers faced tremendous difficulties, including a massive decline in the overseas trade essential to their survival. At the same time, however, the war itself presented opportunities for the expansion and development of British ceramic manufacture and the repositioning of British ceramics in the global market. In August 1914 the British ceramics trade was in a precarious state, threatened both at home and in long-held overseas markets by low-priced porcelains from German and Austria–Hungary. However, the naval blockade of Continental ports which followed the outbreak of war denied these countries access to what had been an extremely lucrative overseas trade, leaving customers in many countries desperate for replacements for the goods no longer available. British manufacturers rose to the challenge, maintaining production, developing new lines and taking trade from its enemies. The war halted the steady decline of the British ceramics industry, but its post-war future was by no means secured.