Operating anew: Queering GIS with good enough software

In the last decade, conversations around queering of GIScience emerged. Drawing on literature from feminist and queer critical GIS, with special attention to the under‐examined political economy of GIS, I suggest that the critical project of queering all of GIS, both GIScience and GISystems, requires not just recognition of the labour and lives of queers and research in geographies of sexualities. Based upon a queer feminist political economic critique and evidenced in my teaching critical GIS at two elite liberal arts colleges, I argue that the “status quo” between ESRI and geography as a field must be interrupted. Extending a critical GIS focus beyond data structures and data ethics, I argue that geographic researchers and instructors have a responsibility in queering our choice and production of software, algorithms, and code alike. I call this production and choice of democratic, accessible, and useful software by, for, and about the needs of its users, good enough software.     

Messing with the attractiveness algorithm: a response to queering code/space

Responding to the collection of articles, ‘Queering Code/Space,’ this article discusses how algorithms affect the production of online lesbian, gay, bisexual, transgender, and queer (LGBTQ) spaces, namely online dating sites. The set of articles is well timed: lesbian bars have closed en masse across the US and many gay male bars have followed suit so that online spaces fill – or perhaps make – a gap in the social production of LGBTQ spaces. I draw on Cindi Katz’s idea of ‘messy’ qualities of social reproduction and the necessity of ‘messing’ with dominant narratives in order to think about the labor, experience, and project of queering code/space.     

Transformation,job creation and subsidies to creative industries: the case of South Africa’s film and television sector

Many governments have tried to stimulate economic growth via policy in the creative industries. South Africa is no different but additionally has an overarching aim of achieving social and labour market ‘transformation’ to move away from the legacy of the apartheid era. The effectiveness of incentives provided to the film and television sector in South Africa are considered in terms of their stated objectives of job creation, skills and knowledge transfer, and the attraction of foreign direct investment. Informed by empirical analysis of incentive scheme data and supplemented by elite interviews with key informants, some specific policy revisions are proposed.