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This study aims to analyse the problem of Vico’s religiosity, still a subject for debate, in the European tradition of universal historiography. Vico’s historical reconstruction has traditionally been considered as orthodox and apologetic. The Neapolitan philosopher, in his major work, New Science, tried to defend not only the historical veracity and authority of biblical narratives as the only source to reconstruct the initial phases of history, but also the temporal and spatial frame of historia salutis, confuting the thesis of a greater antiquity of pagan nations. Nonetheless, it is difficult to conclude that Vico’s historical reconstruction followed the same route of the apologists of his time. Vico demolished not the temporal and spatial sphere, but the unitary frame of historia salutis. In Vico’s setting, all nations formed their civilizations in an autochthonous way and developed them autonomously with diverse timetables. Vico introduced the concept of the plurality of history. In this way, the Neapolitan philosopher contributed to the process of secularization of universal history in a completely different way from his contemporaries.  相似文献   
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Abstract

This article examines the impact of the economic crisis on contemporary Irish theatre. More specifically, I contend that the legal controversy surrounding Bisi Adigun and Roddy Doyle’s second production of Playboy of the Western World: A New Version in 2008 provides a case study of how professional theatre productions that dramatised stories of immigrant empowerment during the Irish economic boom were profoundly inhibited by the bust that followed. Their collaborative version of the new Playboy was widely regarded as Ireland’s most successful intercultural play and a commercial success when it was first staged at the Abbey Theatre in 2007. The subsequent breakdown in their relationship and ensuing legal dispute is more symptomatic of Celtic Tiger Ireland in economic collapse, I suggest, than the content of the play itself, or most other productions mounted in the period. I argue that this dispute did not simply reflect but also reinforced the social effects of the economic crisis, through its prolonged litigation, enormous expense, and especially the missed opportunity that it represented to position the multicultural and migrant themed Playboy within the Irish theatrical mainstream. More broadly, I suggest that the economic crisis has been marked by the disappearance of immigrants from the professional Irish stage, a void which was only partially filled by community theatre productions. A case in point is Adigun and Arambe’s most recent adaptation of Jimmy Murphy’s The Kings of the Kilburn High Road in The Paddies of Parnell Street (2013), a play which I positively appraise as an example of successful “intercultural re-appropriation”.  相似文献   
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This article explores how selective application of Japanese divorce laws between 1922 and 1938, which obstructed Korean women from obtaining divorce on the grounds of concubinage, affected the meaning of conjugal relationships in colonial Korea. I argue that in this period affection and companionship emerged as critical components of a legitimate conjugal relationship among Koreans. This legal process, which I call the affectivisation of the female‐spouse, coincided with a popular penchant for romantic love shown in public media and popular novels. Challenging previous scholarship that treated the phenomenon of romantic love as contained in literary discourses, this article shows how literary and legal discourses mutually influenced one another. I further argue that this new ideal of conjugal love had an intricate relationship with overall colonial legal policy: it worked in conjunction (not antithetical) to the family state ideology of the Japanese empire and the family system that the colonial state was trying to implement in Korea. The qualitative transformation of the conjugal relationship contributed to firmer implementation of the family system in Korea and prepared Korean society for the full assimilation of the Korean civil laws in 1940.  相似文献   
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While the links between contaminated sites and adverse effects on human health and well‐being are being increasingly recognised, some argue that the magnitude of the health problem is inadequately addressed because it is largely invisible. Health geographies literature has sought to highlight this invisibility by focusing on the link between contaminated sites and health. This study adds to health geographies by presenting unique insights into the geography of residents' worry about the disruptive effect of environmental contamination on health and well‐being. It analyses a sample of residents (n = 485) living near 13 contaminated sites across Australia. Ordinal logistic regression analysis of closed‐format survey questions was combined with coding of open‐ended survey questions to reveal the geography of residents' worry about contamination from nearby sites. First, the study explores some of the main relationships between residents, their environs, and contaminants from nearby source sites, which determines their levels of worry: residents' demographics, residents' proximity to sites, contaminant boundaries and borders, and type of contaminant. Second, the study investigates how worry affects residents' health and well‐being, ranging from effects on their personal functioning through to their sense of ontological security, which depends in part upon their perceptions of contaminants' impacts. Despite having identified a range of diverse and negative effects of worry about contamination on residents, we found that worry for contamination can also prompt coping strategies and problem‐solving, reinforcing the need for more research on this subject.  相似文献   
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Jason Dittmer 《对极》2007,39(2):247-268
Abstract: This paper seeks to theorize the structuring of geopolitical worldviews and attitudes by the comic book medium and by serial popular culture more broadly. Evidence of the use of comic books to promote specific discourses by geopolitical actors is presented, and the conventions that govern the limits of comic book narration are outlined. Among the conventions of production discussed are the role of “continuity” as a structuring force and the serial nature of most comic books. The impact of these conventions is viewed through an examination of Watchmen and Captain America comic books. Both series revolve around issues of political legitimacy and the structuring of geopolitical space, but do so in different ways. This leads to insight connecting seriality with the concept of the nation itself. Finally, a theorization of the limits to comic book and other serialized discourse is outlined, and its ultimately conservative political outcome is described as endemic to the genre.  相似文献   
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Jason Sumich  Morten Nielsen 《对极》2020,52(4):1216-1234
This article explores the social and material repercussions of middle class aspirations in a system that is still infused by socialist aesthetics in Maputo, Mozambique. We argue the activation of “middle classness” reproduces ingrained inequalities and boundaries. This is demonstrated through two ethnographic case studies of urban housing, long central to imaginaries of prosperity. First, fearing downward mobility, members of the upper middle class seek to embody a liberal ideology of “autonomy”, while simultaneously being dependent on state structures. Second, members of the lower middle class attempt to create enclaves to experiment with forms of privatisation normally only accessible to a privileged elite. Through this examination of the ways in which a spectrum of privileged urbanites attempts to secure their position in the face of a precarious future, the article outlines middle classness under contemporary capitalist conditions and how this is shaped by the legacies of the past.  相似文献   
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