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A failed effort at “reform from above” or a dramatic reassertion of “people power”? Almost thirty-five years on, studies of the Revolutions of 1989 continue to be framed by these two polarities. However, this historiographical focus has meant that scholars have often overlooked the actual content and character of protest itself. This article argues that one way of reinjecting agency and ideas back into our historical understanding of 1989 is through examining the chronopolitics of revolution: that is to say, by addressing how the control and interpretation of time became a political battlefield, a site of contention and negotiation, between Communist regimes, on the one hand, and political activists and society, on the other. Investigating events in the German Democratic Republic and Czechoslovakia, the article contains two central claims: first, that an interrogation of the concept of “chronopolitics” can provide a new angle by which to grasp the revolutionary character of “1989” and the democratic transformations that resulted and, second, by way of inversion, that a study of the temporal experiences across 1989 and the early 1990s can in turn shed light on the analytical value of “chronopolitics” more generally. 相似文献
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MARTIN YOUNG 《Geographical Research》1995,33(2):272-286
Personal construct theory was used to study potential tourists' appraisive images of the major Australian domestic tourist destinations. Seven main evaluative constructs (bipolar discriminations) were identified as being commonly used to appraise destinations. The second stage of the research involved the scoring of places on those seven constructs by potential tourists. Principal components analysis of the resultant matrices showed that construct space generally comprised one main dimension which was labelled favourable - unfavourable. An exception was that older women used two dimensions when appraising destinations. These dimensions were labelled frenetic - relaxing and dull -exciting. Respondents distinguished clearly between destinations and the distinctions made were remarkably consistent over different groups of respondents defined on the basis of age, sex, and location. 相似文献
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MARTIN HUTH 《Arabian Archaeology and Epigraphy》1998,9(2):273-277
In recent years a small number of peculiar coins has emerged from the southern shores of the Persian/Arabian Gulf imitating Athenian tetradrachms of the old style and sharing the oddity of being struck on a flan that had been folded before striking. This paper contains an overview of the pieces known so far and attempts to present some preliminary conclusions, while still awaiting a comprehensive study of this and related ancient coinages of the Arabian peninsula. 相似文献
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MARIA LUDDY 《Gender & history》1996,8(3):467-470
Joanna Bourke, Husbandry to Housewifery: Women, Economic Change, and Housework in Ireland 1890-1914 Margaret Ward (ed.) In Their Own Voice: Women and Irish Nationalism Mary O'Dowd and Sabine Wichert (eds) Chattel, Servant or Citizen: Women's Status in Church, State and Society Joan Hoff and Moureen Coulter (eds) Irish Women's Voices Past and Present 相似文献
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Éveline Pinto 《Revue de synthèse / Centre international de synthèse》1997,118(1):37-64
Did “the old character, so intelligent, so crazy”, evoked by Marcel Proust through Chardin’s self-portraits, depict himself in the projective mask of the wise man, in one of his most famous paintings, thePhilosopher of the Louvre? As the master of the still life wanted to rise in the hierarchy of the Academic ranks, he probably tried, in this early work, to make up for “this lack of training” in “the humanities”, through the representation of a character in keeping with current tastes, of a modern philosopher. A Philosopher, A Chemist in his laboratory, A Glass-Blower, or A Philosopher busy reading: is the painting of the Louvre (1734) an emblem? Our hypothesis, that this painting represents a chemist philosopher, not a quack or an alchemist, is constructed by comparing the painting with the lampoon entitledThe Philosopher, circulated, according to Voltaire, in the 1730s. 相似文献
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ROBERT KILLICK SARA BLAKENEY SHAHINA FARID ALISON HICKS MARTIN HICKS JENNIFER KIELY ALEX WASSE 《Arabian Archaeology and Epigraphy》1997,8(1):86-98
The long-term aim of the project is to excavate the entire central area of the Dilmun settlement. During the 1994 and 1995 seasons a further twelve buildings were excavated, most of them located along the main arteries of the settlement. A resistivity survey, followed by selective excavation, determined the size and extent of the site. A well excavated on the eastern flank provided valuable information about the level of Bahrain's aquifers in the Early Dilmun period. 相似文献
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Following in the wake of Benedict Anderson's work in particular, cultural geographers and cultural studies scholars have analyzed the nation and nationalism as primarily 'imagined' or abstract entities. Coincidentally, the greatest analytic attention has been given to nationalist representations of place, rather than to the everyday discursive practices constitutive of the nation as lived. Drawing on Pierre Bourdieu's practice theory, in this paper I develop the beginnings of a corporeal approach to the nation. Here the relationship between the practice of identity (the embodiment of gendered and sexualized subjectivities via discursive practice within culturally defined spaces) and an Irish nationalist sense of place is explored. In this approach, analytic considerations of identity and space are collapsed within the shared material and metaphoric medium of the body. Irish nationalism and the nation are analyzed as corporeal materialities via an ethnohistorical focus on late nineteenth-century changes in the political economy of 'peasant' and nationalist bodies. The analysis suggests that a particular matrix of constructions of femininity and masculinity was extended paradigmatically throughout the society in the latter half of the nineteenth century. These paradigmatic changes are characterized as a 'heterosexing' of bodies and places linked to economic change and the rise of the confessional state. 相似文献
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Shipwrecks and Provenance: in‐situ timber sampling protocols with a focus on wrecks of the Iberian shipbuilding tradition SARA A. RICH,NIGEL NAYLING,GARRY MOMBER and ANA CRESPO SOLANA 70pp., 23 colour illustrations,Archaeopress, Oxford, 2017, £20 (sbk) or free to download,ISBN 978‐1784917173
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PAULA MARTIN 《International Journal of Nautical Archaeology》2018,47(2):496-497