IN SEARCH OF NEW TIMES: TEMPORALITY IN THE ENLIGHTENMENT AND COUNTER‐ENLIGHTENMENT

Isaiah Berlin and other representatives of historicism have made the Enlightenment and the Counter‐Enlightenment into opposite cultures. The Counter‐Enlightenment is a criticism of the Enlightenment from within, so in many respects they overlap. However, with regard to perceptions of time they contradict each other. The times of the Enlightenment lean heavily toward chronology and can be labeled as “empty,” whereas the time perceptions of the Counter‐Enlightenment can be called “incarnated” and are identical with historical times. As a consequence the differences between the two temporalities lead necessarily to differences in synchronization.     

TIME,NARRATIVE, AND FICTION: THE UNEASY RELATIONSHIP BETWEEN RICOEUR AND A HETEROGENEOUS TEMPORALITY

In Time and Narrative, Paul Ricoeur confirms the relationship between time experience and how it is epitomized in a narrative by investigating historiography and fiction. Regarding fiction, he explores temporality in three “novels of time” [Zeitromane]: Mrs. Dalloway by Virginia Woolf, The Magic Mountain by Thomas Mann, and À la recherche du temps perdu by Marcel Proust. Ricoeur perceives the temporalities as homogeneous; however, in my view, the novels contain at least three different temporalities. Mann seeks a new temporality by ironizing a romantic time of rise and fall and Woolf configures a time we can call the simultaneity of the dissimultaneous. In his analysis of Proust's À la recherche du temps perdu, Ricoeur explicitly dismisses a Bergsonian approach to temporality. In my opinion, Bergson defends a heterogeneous time that is apparent in Proust's novel.     

RESEARCH,NARRATIVE, AND REPRESENTATION: A POSTNARRATIVE APPROACH

Narrativism or representationalism is founded on the idea that historical narratives and representations are 1) true and indivisible wholes, whereof 2) the truth needs to be maintained, although a narrativist or representationalist whole cannot be confirmed or disconfirmed, and wherein 3) the past is represented in a figurative sense. These fundamental aspects of narrativism have had a positive impact on historiography, but they are also the three reasons why narrativism has neglected historical research and argumentation. To remedy these problems postnarrativism has been evoked. It opts for presentation instead of representation, cutting through all the links between the past and the historiographical product. The product is not a narrative or a representation but a thesis, a proposal to see the past in a special way. The only element postnarrativism wants to retain of narrativism is colligation because it has an argumentative structure based on epistemic values. Postnarrativism leads to knowledge, built on the practice of warranted assertions instead of truth. My postnarrativism chooses a middle course between a strong narrativism and what I would like to call a “weak,” presentational postnarrativism. I agree with postnarrativists that more attention must be paid to argumentation and research. Moreover, I consider time a neglected issue in narrativism. Nevertheless, I don't want to give up the three above‐mentioned fundamental aspects of it. In my view the assumption of truth with regard to (figurative) representation needs to be maintained, but in a pragmatic, provisional form: a historical narrative or representation can be considered as true as long as it has not been replaced by a better one. Retaining truth and holism, but wanting more room for investigation and argumentation, requires that narrativism's role in historical research and history‐writing be revised. This implies the replacement of the usual research phase by a preparation phase, wherein, next to research, space must be reserved for so‐called writing activities. Preparation means the conversion of a germinal narrative or representation into an accomplished whole. Holism occurs in two representational forms: a narrative and a representation. In both forms, research concepts and the associated temporalities become visible under the surface of the narrativist or representational superstructure.