Democratisation: Antidemocratic and democratic elements in the political culture of China

The nature of the political culture itself is often seen by commentators as the cause of democracy failing to take root in China; the antidemocratic elements of that culture being overemphasised while the democratic elements are underemphasised. This paper examines the application of the ideas of democratic culture in China to the current state of play, including the possibility of the democratic card being played by factions within the Chinese Communist Parry (CCP). There are indeed cultural problems associated with Chinese democratisation such as cultural anomie, unconscious authoritarian personalities, the legacy of egalitarianism, the radical polarisation of Chinese culture, difficulties of institutional compromise and the irrational control of aggression and fear. While the antidemocratic culture is stronger at present than the democratic culture, the new Chinese democratic culture is likely to gather strength in the future.     

胶东青铜器科学分析

本文通过考古实物的科学分析,认为早在西周时期胶东青铜技术便发展到了一定水平,战国后便发展到了较为成熟的阶段,大约自西周始,胶东青铜技术与中原便是大体同步发展了的.文章最后还将胶东青铜合金成分与《考工记·六齐》作了比较,并提出了“六齐”既不是生产经验的总结,也不是指导生产实践的工艺规范,而是一种试验资料的反映和归纳的观点。     

一种油画颜料层裂纹的修复技术分析

油画颜料层裂纹是一种常见的病害类型,严重的裂纹会影响作品的视觉效果。裂纹修复所采取的措施应以缓解病害,延续寿命为目标,避免不当修复对其文物价值的改变。本研究通过红外光谱和便携式X荧光能谱分析,初步确定了裂纹产生的原因与材料技法和机械作用力有关,长期的温湿度波动则是最终形成老化裂纹的重要因素。对两类常见的裂纹加固方法比较后得出结论,色蜡改变了原画的光泽度和肌理层,动物胶调碳酸钙更适宜作为裂纹的填补材料。观察修复后的油画保存状况,发现经过修复的颜料层仍存在继续劣化的风险,必须维持保存环境的相对稳定,方可延长修复周期。     

Police and Politics in Aesthetics-Based Urban Governance: Redevelopment and Grassroots Struggles in Enninglu,Guangzhou, China

Rancière's theorisation of police, politics, and aesthetics offers an illustrative framework to understand urban (re)developments. While extant works have examined separately the art of governing through aesthetics and the political subjectivities of those having no part in the frame of visibility and intelligibility, this study argues that hegemonic aesthetic regime and bottom-up aesthetic practices can be mutually constitutive and reside in relationships of co-existence and mutual negotiation. Drawing on over a decade's investigation in Enninglu, a neighbourhood district in Guangzhou that underwent several rounds of political struggles related to redevelopment and conservation, we reveal how local residents negotiated aesthetic norms enacted by the state. Particular attention is paid to the interactions between the aesthetic regime imposed by the state and grassroots people reclaiming their own aesthetic sensibilities, culminating in a contingent, inconclusive, and “impure” space of politics. Both political subjectivities and aesthetic norms are redefined ongoingly in this process.     

古铜矿遗址围岩表层有害生物的防治

铜绿山古铜矿遗址地处长江中游地区、空气湿度大、围岩表层有害生物成片生长蔓延,对遗址的长期保护造成极大威胁。对此采取了改变遗址的环境条件、喷涂消杀药品的方法,消除了围岩表层有害生物的危害。经过一年半的观察表明该方法是可行的。     

Direct Taxation and State–Society Relations in Lagos,Nigeria

Existing research suggests that external sources of finance, such as foreign aid and natural resource rents, allow states to generate revenue independently of their societies, disincentivizing them from forming close links with their citizens and severely problematizing the notion of a social contract. In Lagos, Nigeria's commercial capital, a series of personal income tax reforms have seen an increase in taxpayer compliance. Considering Lagosians’ perceptions of their relation with the state government, this study examines whether the state had to ‘earn’ its revenue by developing a closer relationship with its citizens, and whether citizens responded through a greater willingness to pay tax. It explores how citizens understand this relationship, what role they perceive themselves to fulfil, and what their expectations are for the future of state–society relations. The study shows how, through efforts to visibly link tax to service delivery, a social contract is emerging between Lagos State and its citizens — but that this relationship differs among groups, in that it is shaped by pre‐existing concepts of public organization and modes of political engagement.     

Restoration of paintings on domes with non-developable geometry (Los Santos Juanes Church in Valencia)

The restoration of paintings on elements in cultural heritage buildings (fundamentally, churches) involves two structural problems: capturing the geometry of the construction element and its development. In many cases, the geometries are regular (e.g., cylinders, spheres, elliptical domes). However, there are cases in which the elements cannot be adapted to any known geometry, much less one that can be mathematically developed. The development of surfaces becomes essential for the restoration of paintings over “flat elements” (over which work is performed on the ground) that are subsequently transferred to the real surface (ceilings). The mathematical transformations that allow regular geometries to be developed are widely known (cartographic projections). However, when the geometry is irregular, there is no development. This study presents a new methodology based on differential rectification and its application for the development of oculi in the Los Santos Juanes Church (Valencia), whose geometry is completely irregular both in shape and as a result of construction defects (and damage caused by fire). The present study focuses on the restoration of paintings damaged by fire.     

Timber economy in the Roman Age: charcoal data from the key site of Herculaneum (Naples,Italy)

The city of Herculaneum (Naples, southern Italy), buried by the volcanic eruption of Mount Somma-Vesuvius in 79 ad, is a key site for understanding the timber economy during the Roman period. In this paper, the results of charcoal analysis of different building element types are presented. Beams, joists, poles, planks and door and window frames were investigated allowing us a view of which timber the Romans preferred for building in this area. We also fit the taxonomic results into the reconstruction of the ancient Campanian landscape, and finally, we discuss the knowledge that the Romans had about the technological properties of the wood that they used for building and the possible selection criteria that they followed in choosing them. Coniferous timber is the preferred material for building purposes. Abies alba is especially used, this fact confirming its stronger presence in southern Italian woods during the past and suggesting that its decline is mainly due to human overexploitation. The large presence of Cupressus sempervirens, selectively used for the production of poles, confirms that this tree was cultivated in plantations for timber production in the Vesuvius area. Furthermore, it might indicate that cypress could have been present as a natural tree in the local vegetation, suggesting a forest type that nowadays almost completely disappeared from this area and from the entire Italy. The findings of Juglans regia, Pinus pinea and Olea europaea, typical elements of the Mediterranean cultural landscape, show that their use was not limited to fruit production and that Romans also appreciated their timber. Beside these local resources, the presence of Picea abies and Picea/Larix indicates the importation of timber from northerly regions, probably the northern Apennines and the Alps.     

‘Oh motherland I pledge to thee …’: a study into nationalism,gender and the representation of an imagined family within national anthems

In this paper, we argue that beyond understanding nations as imagined communities, the metaphor of an ‘imagined family’ or ‘filial community’ is a more useful concept towards understanding links between gender and nationhood as family relations in four ways: (1) providing a clear, hierarchical structure; (2) prescribing social roles and responsibilities; (3) being linked to positive affective connotations; and (4) reifying social phenomena as biologically determined. In order to empirically substantiate our claim, we will explore the prevalence and use of family metaphors in a key symbol of nationhood discourses. Through a qualitative analysis of national anthems as ‘mnemonics of national identity’, we demonstrate the widespread presence of family metaphors, discussing how they reproduce ideas of family and gender. Finally, we discuss how the ‘imagined family’ as present in anthems and other forms of national representation could inform future studies of nationalism and national politics.