Towards Culture 3.0 – performative space in the public library

The aim of this article is to analyse and discuss the development of performative spaces in public libraries from a cultural policy perspective. First, a framework of three concepts of culture, 1.0–3.0, is used as a tool to analyse the overall development of public libraries. Against this background, we introduce the notion of performative spaces in public libraries by highlighting Nordic examples. The tendency can also be seen on a broader level in European and North American libraries, where a ‘performative turn’ can be seen as the relationship between the library and its users, especially the younger ‘digital natives’. The rationales behind the emergence of performative spaces in public libraries are analysed and discussed: democratisation, empowerment and economic impact. This article concludes that the performative spaces are legitimized by multiple rationales in the same way as cultural policies and cultural institutions are legitimised today.     

Psychosurgery in Sweden 1944-1964

This study presents results on hitherto unknown data on lobotomies performed at the former State Mental Hospital of Umedalen (from here on called simply "Umedalen") in the north of Sweden. More than 700 operations were carried out from 1947 through 1960, and we calculated the average rate of postoperative mortality to 7.4 percent, and that 63 percent of those who were operated were women. By considering annual hospital reports to the National Board of Health (Medicinalstyrelsen), we also made the first mapping of early psychosurgery in Sweden; approximately 4,500 lobotomies were performed between 1944 and 1966. Statistical analysis, qualitative content analysis, and discourse analysis were used. The study supports earlier findings of female preponderance in the number of lobotomy operations.     

Stone Age fishhooks – how were they dimensioned? Morphology,strength test,and breakage pattern of Neolithic bone fishhooks from Ajvide,Gotland, Sweden

The late Stone Age Pitted Ware site at Ajvide, Gotland, in the Baltic Sea, Sweden, has revealed a large deposit of fishbone and approximately 400 bone fishhooks, complete and incomplete. Cod (Gadus morhua), which is one of the most abundant fish species in the bone assemblage, was probably caught with hook and line fishing. To investigate the fishhooks' field of application, a morphological and morphometric study was performed on 384 available hooks. Two sets of replicas made of four selected original fishhooks were submitted to a strength test. A breakage study of the incomplete hooks in comparison with the strength-tested hooks was carried out in order to distinguish fresh breaks from dry breaks. It seems that a certain morphology for fishhooks was preferred at Ajvide, indicating they were produced by skilled craftsmen for special usage. The strength test showed that the hooks had a weight bearing capacity more than the average size of cod caught at Ajvide. Using results of these tests, we predicted that the mean breaking strength of 46 intact Ajvide hooks was 96.6 ± 26.1 (s.d.) Newtons (equivalent to 9.85 ± 2.7 kg). The design of fishhooks changed somewhat over time, being slightly larger in the oldest layers of the site. The breakage patterns of the hooks show that the bow was the most common area of breakage. The design and weight bearing capacity of the hooks point to a specialized cod fishery from boats in deep water.     

How flakes shatter: a critical evaluation of quartz fracture analysis

Despite its worldwide use as a stone tool raw material, quartz is known to be a difficult material for archaeologists. The main reason for this is the tendency of quartz flakes to fragment during detachment, which complicates the use of traditional lithic analyses. In this article we present an experimental study of quartz flake fragmentation. We evaluate the method called fracture analysis that has been developed and used explicitly for the study of quartz assemblages. The method assumes high predictability of quartz flake fragmentation, but our experiments show that there is significant variation in fragmentation that fracture analysis does not take into account. Our results indicate that this variation is partly explained by indenter hardness, the relative thickness of the detached flake, as well as individual knapper-related factors. These results undermine the applicability of quartz fracture analysis in its current form. In addition, we discuss the effects of flake fragmentation on the technological organisation of prehistoric quartz users and suggest that it has affected reduction strategies as well as blank and tool dimensions. We also suggest that there should be mobility-related differences in archaeological assemblages in terms of the quality of the quartz raw material and that the curation of quartz should be low in relation to better quality raw materials used parallel with it.     

Science as propaganda: Swedish scientists and the co-production of American hegemony in Sweden during the cold war, 1953–68

This article takes a close look at how the United States used the funding of scientific research in Sweden as a hegemonic and propaganda tool in the 1950s and 1960s. It shows that non-aligned Sweden functioned just as much as a node in the international science network set up by the Americans after the Second World War as did the North Atlantic Treaty Organization (NATO) countries. These funds were awarded mainly to an elite network of prominent Swedish scientists. The article sheds interesting light on the controversies of such funding in Sweden during the cold war and adds important knowledge about Swedish–American relations during the cold war. The article argues that this Swedish scientific elite co-produced US hegemony in Sweden by actively seeking out American military funding and by making use of it. It also argues that US funding was intended to portray the United States as an altruistic patron of science in the world and thus serve American propagandistic purposes as well.     

Cultural policy and evaluation of quality

Based on Danish experiences the article discusses the increasing role that the discourse of “quality” is playing in cultural policy. Throughout the 1990s, from the general cultural debate, this discourse has spread to more instrumental considerations and practices in the field of cultural policy. The article presents this process in a historical perspective and characterises the present tendency towards a technocratisation of the discourse of quality under the auspices of New Public Management and the general trend in modern state policy towards instrumentalising all societal resources in the global economic competition. Opposing this line of development, it is argued that “quality” could serve as a progressive, non‐instrumentalist discourse if it is defined in relation to a modernised understanding of the “rational core” of the cultural policy tradition of the Nordic countries. In this perspective, the article suggests a contextualisation of the concept of quality and possible ways of implementing the discourse in practical cultural policy.