Isotopic Composition of Lead in Copper Ores and a Copper Artefact from the La Profunda Mine (León,Spain)

This paper continues the characterization of the lead isotopic fingerprint of ancient copper mines in the north‐west of Spain. In this work, the lead isotopic compositions found in copper ores from the La Profunda mine are presented. Azurites and malachites sampled from this deposit were subjected to lead isotope analysis by multicollector ICP–MS. The results showed a clear radiogenic lead signature compatible with the presence of uranium‐rich minerals (such as zeunerite) in the same mining complex. Moreover, a rare copper artefact, found in the galleries of the mine during its modern exploitation, was also analysed and showed that local mineral was used for its manufacturing.     

Communism and cultural heritage: the quest for continuity

The purpose of this paper is to discuss the theoretical genealogy and main uses of heritage in actually existing communist countries. This is performed by carrying out a critical review of Èleazar Aleksandrovi? Baller’s Communism and Cultural Heritage, (1984, Progress, Moscow). The analysis of Baller’s work reveals that the logics of heritage in communist countries differed in various ways from capitalist countries, mainly because of the almost total state control over the heritage apparatus and the subordination of heritage policies to Marxist–Leninist ideology. Heritage was fundamental in dealing with the problem of change and continuity with the traditions, narratives and identities of previous society, and in the process of transforming citizens into ‘new men’ through the cultural revolution and the inculcation of ideology through museums and monuments.     

A Contemporary Archaeology of Cultural Change in Rural North-Western Spain: From Traditional Domesticity to Postmodern Individualisation

This paper explores the built environment in two rural areas of Northwest Spain that were historically inhabited by two of the so-called “cursed peoples.” Combining contemporary archaeology and material culture studies, we analyze the role played by the house in processes of socio-economic and cultural change, and in the reproduction of internal hegemony within villages. To do so, we study the tensions and connections existing between the transformations undergone by the built environment during the last century and different socio-economic processes, including the depopulation of the rural areas, their conversion into tourist attractions, and the current process of individualisation of subjectivity in line with the transformations taking place in the postmodern era.     

Temporal nature and recycling of Upper Paleolithic artifacts: the burned tools from the Molí del Salt site (Vimbodí i Poblet,northeastern Spain)

Recent research in Paleolithic archeology has stressed the importance of temporal issues in assemblage interpretation. Archeological assemblages are temporal constructs, formed by the addition of an unknown number of depositional events. This temporal dimension is also evident at the artifactual level, since single artifacts may undergo different events of modification and/or uses over time. The recycling of previously discarded blanks for tool production is one of the best examples of the temporal nature of artifacts. The aim of this paper is to evaluate the importance of recycling in a Late Upper Paleolithic site, examining a type of artifact – burned tools – that has up to now been little used to approach this issue. Our results suggest that recycling was probably a significant component of Upper Paleolithic provisioning behavior, with important implications in site formation processes and the typological variability of assemblages. The expedient or curated character of recycling is also discussed.     

The Golden Code of the Bird‐Men: Iconographic and Social Interpretation of the Moñes I Diadem‐Belt (Asturias,North‐west Iberian Peninsula,First Century BC)

If there is one piece of the Castro culture goldwork that stands out above the rest, it is the set of figurative gold diadem‐belt fragments from Moñes (Piloña, Asturias, Spain). Its uniqueness lies in its combination of local technological tradition with exogenous practices, like figurative representation. The figures that appear are armed characters, occasionally on horseback, and sometimes zoomorphic in appearance (especially as bird‐men), together with different kinds of animals, especially those from an aquatic environment. This iconography has been interpreted as emphasizing the warlike character of Celtic symbolism as expressed through an aquatic funerary ritual. My argument here, however, provides an alternative interpretation based on a context of dramatic social change, which warranted the reformulation of creation mythology such as that depicted on the diadem‐belt. This context must be viewed in relation to different social responses which developed during the first century BC, both before and immediately after the Roman conquest.     

Morphometric analysis and detection of invisible archaeological elements by spectral treatment of digital images

The aim of this paper is to describe the creation of a method to apply digital image treatment, consisting of a combination of filters and algorhythms, to prehistoric rock carvings, to enhance the information obtained from them. In the experimental phase a study was made of a laboratory piece and two highly valuable pieces of cave art from the Tamanart Valley in Morocco and the Casares Cave in Guadalajara, Spain. The results clearly demonstrate the potential of the proposed digital methodas information was obtained that could not have been achieved by the traditional techniques.