Anselm Kiefer: a study of his artistic materials

The style of the contemporary German artist Anselm Kiefer is highly innovative and unconventional and is characterized by the use of diverse materials that he selects and combines according to the emotions that they stir in him. The conservation and preservation of works by Kiefer are particularly difficult tasks because of the heterogeneity and, in some cases, the incompatibility of the materials used; therefore, a thorough characterization is crucial before any intervention is considered. In this paper, we report the results of an investigation on a fragment from a multimaterial work and on samples from the paintings Bohemia Lies by the Sea and Die Größe Fracht. The large fragment was cut by the artist himself from a work in progress and is considered destitute of any artistic value; therefore, it was possible to sample it extensively. This fragment and the samples from the Die Größe Fracht and Bohemia Lies by the Sea paintings were analyzed by ultraviolet (UV) fluorescence imaging, fiber optic reflectance spectroscopy, Fourier transform infrared spectroscopy, nuclear magnetic resonance, Raman spectroscopy, X-ray diffraction, gas chromatography-mass spectrometry, and pyrolysis gas chromatography-mass spectrometry. This multitechnique approach allowed us to fully characterize and identify pigments, dyes, and organic components that reflect the diversity of the materials typically chosen by the artist. The results are evaluated in the context of the interview that Antonio Rava had with the Anselm Kiefer in 2000.     

Civilisation and Colonisation: Enlightenment Theories in the Debate between Diderot and Raynal

The Enlightened theory of civilisation was expressed through the formula of ‘doux commerce’, a form of commerce which acknowledged the need for the European conquest of non-European lands and nations, and the opportunity to bring European civilisation to other peoples without violence. Montesquieu was the first to express this idea, condemning the Spanish conquest and empire. In the Histoire des deux Indes, this idea was dramatically discussed: Raynal wanted to defend it; Diderot dismantled this project showing that civilisation was but the mask of violent conquest. In this way the latter offered an extraordinary refutation of both Enlightened ideology and its strategy of civilisation.