Pivoting toward Asia: Comparing the Canadian and American Policy Shifts

Both Canada and the United States have “pivoted” toward Asia in their foreign policy over the past decade, although emphases in those pivots differed between the two countries. The former focuses on an economic pivot initially, the latter on a security one. What factors explain these shifts? What was the magnitude of policy change by both? Utilizing some important theoretical works by Charles Hermann, we discuss the factors that appear to have brought about this policy change toward Asia, outline the actions and activities that both countries have initiated toward Asia in the past decade to illustrate the type and magnitude of policy change that has occurred, and compare some areas of political, economic, and military similarities between Canada and the United States toward this region. Finally, we assess the likely future of these pivots to Asia in light of the change in political leadership within both nations.     

A Viking Ship Graffito from Kilclief,County Down,Ireland

Deep ploughing near Kilclief, County Down, near the site of an early monastery, disturbed a large quantity of buried stones. One of these displayed a Viking‐type ship with a furled sail. Decorative artwork on the stone suggests an 11th‐century date. The ship displays close similarities to Viking ship graffiti in Viking Dublin and in the Scandinavian homelands. This article describes the decorated stone and suggests that it represents an Irish ship constructed in the Viking style. Documentary sources indicate that ships were being granted by an Irish over‐king to a local king of this area at this time.     

Pocock,Machiavelli and Political Contingency in Foreign Affairs: Republican Existentialism Outside (and Within) the City

SUMMARY

In this essay, inspired by J.G.A. Pocock's appropriation of Machiavelli's theory of political contingency, and building upon my previous engagements with Pocock's ‘republican existentialism’, I focus on the role played by ‘accidents’ in Machiavelli's analysis of war and foreign affairs within The Prince and the Discourses. In so doing, I consider the following issues: the ways through which a potential imperial hegemon might consolidate control over nearby lesser powers—and, conversely, how such less powerful polities might resist imperial encroachments on their autonomy; the contrasting military modes and orders characteristic of ancient and modern republics; and the extent to which Machiavelli actually thought that accidents in foreign affairs were ever truly ‘accidental’ in light of his determinations concerning well- versus badly ordered domestic institutions.     

The consilience of historical and isotopic approaches in reconstructing the medieval Mediterranean diet

During the Middle Ages, the economies of Europe, the religious directives involving dietary requirements, and the general human subsistence base were transformed. These complicated and intertwined issues are starkly revealed in an isotopic study of two inland Italian human populations that are separated by approximately 850 years in time. Stable carbon (δ¹³C) and nitrogen (δ¹⁵N) isotopic values observed in human dentin and bone collagen from the sites of early medieval Castro dei Volsci and late medieval Rome are consistent with diets that differed substantially. As the North Atlantic opened to fishing and food preservations methods improved, Mediterranean peoples increased their fish consumption dramatically, and in doing so, met the religious directives of the Catholic Church. By analyzing both teeth and bone collagen within individuals, long-term feeding behaviors are documented, and the utility of last erupted teeth collagen as sources of adult dietary information is established. This study offers the first physical evidence of this new economic reality linking the Atlantic and Mediterranean economies at the end of the Middle Ages.     

The Darkest Corner: documenting institutional abuse and its consequences at the Abbey Theatre

Documentary theatre, as a theatrical genre, has not maintained a continuous presence in Irish theatre. The Darkest Corner series, produced in 2010 by the Abbey Theatre, Dublin, Ireland's National Theatre is, therefore, one of the first examples of Irish theatre using the genre to address political and social issues. Presenting three plays, Gerard Mannix Flynn's James X, Richard Johnson's The Evidence I Shall Give and Mary Raftery's No Escape, the series examines the widespread abuse of children in state institutions. Before analysing the documentary play commissioned by the Abbey, Raftery's No Escape, this article will begin with an exploration of documentary theatre in Ireland. It will then examine the material used for the play, the Ryan Report, published following the Commission to Inquire into Child Abuse, something of great political and social interest to contemporary Ireland and, finally, the play itself.     

Disposing of the World's Excess Plutonium

We undertake three key objectives in addressing the issue of plutonium disposition at the end of the Cold War. First, we estimate the total global inventory of plutonium both from weapons dismantlement and civil nuclear power reactors. Second, we review past and current policy toward handling this metal by the United States. Russia, and other key countries. Third, we evaluate the feasibility of several options (but especially the vitrification and mixed oxide fuel options announced by the Clinton administration) for disposing of the increasing amounts of plutonium available today.
To undertake this analysis, we consider both the political and scientific problems confronting policymakers in dealing with this global plutonium issue. Interview data with political and technical officials in Washington and at the International Atomic Energy Agency in Vienna. Austria, and empirical inventory data on plutonium from a variety of sources form the basis of our analysis.     

Testing of Superelastic Recentering Pre-Strained Braces for Seismic Resistant Design

Over the past decade, the use of shape memory alloys (SMAs) in passive control devices has been explored. Nevertheless, some aspects in regards to the cyclic behavior of SMAs and the effect of pre-straining need to be clarified. In this study, small-scale shake table tests have been performed to explore the effectiveness of SMA bracing systems as compared to steel bracing systems. The reduced-scale experimental results imply that SMAs used in braces are more effective in controlling the response of a steel frame compared with a traditional bracing system. A finite element model (FEM) of the frame is developed in order to compare the analytical results with the shake table tests. Further, the effect of pre-straining the SMA braces is evaluated through both experimental and analytical studies. The results show that pre-straining improves the performance of the frame compared to the nonpre-strained case. However, as the level of pre-straining increases above approximately 1.0% to 1.5%, the benefits of pre-straining decrease compared with low-to-moderate pre-strain levels.     

Walls of history: the use of mythomoteurs in Northern Ireland murals

This study set out to discover in what way murals may possibly reflect the history of the Northern Ireland conflict. The findings suggest that each conflict group's usage of imagery reflects the reality and the very complicated nature of the Northern Ireland conflict which crosses religious, cultural, and political fault lines. It is also apparent that the symbolism of murals creates its own invented versions of history. This is evidenced by both protagonists' usage of myth-symbol complexes and mythomoteurs in order to legitimatise their ethnic origins, religious and political ideologies. It is also axiomatic that many nationalist murals reflect O'Brien's notion of sacral nationalism. The symbolisation used in some Protestant/loyalist murals reflects Old Testament themes, whereas some nationalist murals reflect New Testament themes. Moreover, there is a profusion of murals reflecting diabolical enemy imagery, sanctification/demonisation imagery, militaristic imagery, ethnic victimisation imagery, ego of victimisation and blood sacrifice imagery in chronicling historic victories, rebellions, massacres, suffering, and imprisonment.