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1.
141年前,李鸿章和森有礼曾就日本军舰“云扬号”入侵朝鲜江华岛事件以及学习西方、变革服制、举借外债等问题在保定展开了一场激烈的论战。本文考察了森有礼于光绪元年腊月二十八日赴直隶总督府与李鸿章举行会谈的背景,并基于1899年出版的《森先生传》中揭载的对话记录,译介、分析了这场对话的主要内容;指出,尽管李鸿章组建了一个人数众多的幕府,但由于无法破除人身依附关系,未能建立独立的智库,以致他很难听到不同的意见,学到有价值的新知。因此,李鸿章与森有礼论战时无法占据明显优势也就在所难免。  相似文献   
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A human skull, buried about 2500 years ago in a Bronze Age cemetery at Jinggouzi, a site of an important ethnic group in ancient China, appeared to have characteristics of fibrous dysplasia. The CT images indicated a reduction in bone density and relatively homogeneous lesions. More features were revealed using CT reconstruction techniques. Lesions seen in low‐magnification images using a 3D deep‐field microscope had an irregular honeycomb‐like structure. At higher magnification, the trabeculae morphology and the gaps between the trabeculae were irregular and varied in size and shape. Paraffin‐embedded specimens stained with HE showed trabeculae with tortuous irregular arrangements varying in shape and width. The irregular trabeculae of woven bone has been described as having fibrous dysplasia. Molecular analysis of the GNAS gene indicated no mutation. This provides a non‐invasive approach for us to make more comprehensive diagnoses and to assist research into ancient human diseases.  相似文献   
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正In China,legend says that animals choose different trees to inhabit.In Nagqu,situated on the northern area of the Tibet Autonomous Region,trees are nowhere to be seen,and birds often share holes underground with mice and rabbits.Nagqu means"black river"in Tibetan.The place is situated  相似文献   
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程艳妮 《文博》2015,(2):75-79
分析中国国家博物馆、陕西历史博物馆、秦始皇帝陵博物院、宝鸡青铜器博物院、咸阳博物馆的秦史陈列展览在内容和形式设计方面的特点,归纳总结秦史陈列设计在历史内容诠释、文物与史结合、形式设计等方面可采纳的方法,认识到内容与形式的完美统一、准确的学术定位、贴近群众是精品展览应遵循的设计准则,以期对今后的秦史陈列展览设计提供可借鉴的方法。  相似文献   
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Accurate simulation of multiphase flow in fractured porous media remains a challenge. An important problem is the representation of the discontinuous or near discontinuous behaviour of saturation in real geological formations. In the classical continuum approach, a refined mesh is required at the interface between fracture and porous media to capture the steep gradients in saturation and saturation‐dependent transport properties. This dramatically increases the computational load when large numbers of fractures are present in the numerical model. A discontinuous finite element method is reported here to model flow in fractured porous media. The governing multiphase porous media flow equations are solved in the adaptive mesh computational fluid dynamics code IC‐FERST on unstructured meshes. The method is based on a mixed control volume – discontinuous finite element formulation. This is combined with the PN+1DG‐PNDG element pair, which has discontinuous (order N+1) representation for velocity and discontinuous (order N) representation for pressure. A number of test cases are used to evaluate the method's ability to model fracture flow. The first is used to verify the performance of the element pair on structured and unstructured meshes of different resolution. Multiphase flow is then modelled in a range of idealised and simple fracture patterns. Solutions with sharp saturation fronts and computational economy in terms of mesh size are illustrated.  相似文献   
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Ancient mortars played a crucial role in the construction of historical architectures due to their physical and chemical compatibility with traditional building materials such as stones and bricks. Therefore, the analysis and optimization of the ancient mortar formula are significant in the restoration and preservation of historical sites. In this work, 20 mortar samples selected from five ancient stone pagodas in Zhejiang Province, China, were analyzed. The results showed that mud, lime-soil mortar, lime-sand mortar, and lime-gypsum mortar were used as binders in these pagodas. The Ca(OH)2/aggregate ratio ranging from 0.3 to 2.7 was usually used to prepare lime mortar. Protein and polysaccharide were also found in some samples.  相似文献   
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张芳 《文博》2015,(3):95-97,109
罗马帝国初期的200年(公元前27年~公元2世纪)是罗马的鼎盛时期,开创了经济、文化、军事、艺术前所未有的高峰,被称为"罗马和平"时期。本文保护修复的几件"罗马和平"时期的石碑原本收藏在意大利罗维纳市的Lapidario博物馆,后委托意大利博洛尼亚KRITERION文物修复公司进行保护修复,进行了清洗、补全、封护等保护修复工作。  相似文献   
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南诏大理国金属佛像制作工艺初探   总被引:1,自引:0,他引:1  
为研究南诏大理国金属佛像的制作工艺,对部分金属佛像进行了科学分析,表明制作各种铜佛像时,主要使用失蜡铸造工艺,已使用多种金属元素作为材质,阿嵯耶观音像和其他铜像是以含砷的铜合金为特征,金质佛像的材质主要用金银合金,铸造小铜佛像则采用复杂的合金成分配比。根据铭文和绘画资料分析,这些金属佛像主要是大理本地的工匠制作。  相似文献   
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