"That Admirable Italian Gentleman": The View from America (and from Italy)

Review in this Article
David F. Schmitz. The United States and Fascist Italy, 1922–1940 . Chapel Hill: University of North Carolina Press, 1988. x + 273 pp     

ELECTRON SPIN RESONANCE THERMOMETRY APPLIED TO QUARTZITE COBBLES FROM VERGELEGEN SLAVE LODGE,SOMERSET WEST,SOUTH AFRICA

This paper describes the use of electron spin resonance spectroscopy to estimate the degree of heating of quartzite cobbles from hearths on the floor of the archaeological remains of an eighteenth-century Dutch colonial slave lodge. A novel technique based on the comparison of line intensities for the E’and O^-₂ centres in quartz distinguished successfully between cobbles which had been heated to estimated temperatures ranging from 300 °C to 450° C and controls from an adjacent stream bed. This inexpensive and simple technique could be applied to a wide range of archaeological problems involving the thermal history of objects consisting of or containing quartz.     

Ambivalence,pride and shame: conceptualisations of German nationhood

ABSTRACT. This article examines complex everyday expressions and understandings of nationhood in Germany, focusing on citizens' articulations of national pride and their relationship with the nation. Through an analysis of ninety semi‐structured interviews with ‘ordinary’ Germans conducted between 2000 and 2002, we argue that the prevailing, elite‐centred approach to studying nationhood has not adequately captured the complex relationships that individuals have to the nation. We examine how individuals actively process and interpret nationhood in ways that reveal ambivalence, confusion and contradictory emotions towards the nation. Such individual variation is not neatly captured by official, elite, public or institutional presentations of the nation. We argue for further research on everyday understandings of nationhood and on ordinary people's views on national pride and national identity.     

Determining the Accuracy of Historical Landscape Paintings

Historical landscape paintings are widely used to reconstruct past environments. However, artists did not necessarily fully depict reality, many exercising license to relocate and remould features. This paper applies photogrammetric techniques to the problem of determining the accuracy of artistic depictions of landscapes. Four 19th century paintings of Hobart, Tasmania, Australia by different artists were used to test the methods. The artists varied in their accuracy, with Frankland, the surveyor, being the most accurate, and Glover, the romantic professional artist, being the least accurate. This variation suggests that the use of paintings for historical reconstructions and measurements of historic features should be preceded by an accuracy assessment.