The Elephant and the Tiger Ants: Rethinking the Channels and Themes of Biafra’s Visual Propaganda (1967–70)

The short-lived separatist campaign for an independent nation of Biafra that resulted in the Nigerian civil war has provoked significant studies and provided a pool of new understandings on the exacerbation and management of internal conflicts in modern societies. The generation and circulation of ideologies that instigate these conflicts have remained an enduring area of interest to varying shades of scholars who seek to understand the negotiation of highly polarized positions between constructed nationalities. This article adopts studies in iconography, and critical analysis, to review the narrative constructions of the themes and channels of visual propaganda employed by the separatist establishment for the prosecution of the war for secession and self-determination. By doing so, it also seeks to draw inferences from the formal artistic development that elicited the conceptual thinking behind the images and their application in a range of conventional and unconventional publicity media in Biafra and internationally. It also aims to establish pictorial connections with the historical facts of the war to enrich the interpretation and comprehension of the subtleties of the war. Biafran visual propaganda artefacts described in this article testify to an attempt by the Eastern Nigerian political elite to select from the common fears of its populace to hang on to a secessionist agenda during the civil war.