Power Shifts in the European Union? The Case of Spatial Planning

This paper seeks to describe power shifts in the European Union's multi-level system of governance in the area of spatial planning. It begins by investigating, through the economic theory of federalism, the increasing 'Europeanization' of member states' policies that produces asymmetrical power shifts towards the European Union. It draws from German, Spanish and British case studies which confirm such shifts to the European Union level as well as to sub-national levels of government, although there is a tendency for competences to be shared between the European Union, national governments of the member states and sub-national authorities.     

Deliberative democracy and the Tasmanian forest peace process

Decades of contention regarding Tasmania's forests have been accompanied by several attempts for peace. Most recently the ‘forest peace process’ culminated in the 2012 Tasmanian Forest Agreement (TFA). We evaluate the peace process that led to the TFA, and its subsequent dismantling, from the perspective of deliberative democracy, which promises to achieve democratically legitimate outcomes in the toughest conflicts. Using normative criteria to evaluate the deliberative democratic quality of the process, our analysis shows that trades-offs were needed, and not all normative criteria could be achieved equally and simultaneously. Despite its shortcomings, and short-lived life, the peace process illustrates the possibility of achieving meta-consensus in deep value conflicts, and the crucial role of this consensus for sustaining deliberation.     

Negotiating Difference in a Muslim Society: A Longitudinal Study of Islamic and Secular Discourses in Turkey

This article explores the changes in attitudes among Islamic and secular groups in Turkey through an analysis of their discourses regarding Islam, democracy, secularism, and dialogue. We present the findings of a longitudinal study (Q study) conducted in Turkey in 2002 and 2007. The time period under investigation marks the first uninterrupted five‐year‐long term of an Islamic‐leaning government, Adalet ve Kalk?nma Partisi (AKP, Justice and Development Party), in office since the inception of the Turkish Republic in 1923. We suggest that the continuous electoral success of the AKP has played an important role in shaping Islamic and secular discourses in the Turkish public sphere. In contrast with its predecessor, the AKP has employed a rights‐based paradigm when defining the place of Islam in a secular society. This, we suggest, has softened the divide between Islamic and secular discourses in Turkey. In this article, after defining the core characteristics of both discourses that remained the same in both 2002 and 2007, we focus on the major shifts in discourses that have occurred during these five years. Our research reveals that during this time, both Islamic and secular discourses underwent important shifts with respect to Islam's place in a democratic society. We interpret the AKP's discursive shift toward a rights‐based paradigm and the increasing emphasis on dialogue in both Islamist and secular discourses as promising signs for expanding the scope for democratic polity in Turkey.     

The stage: a space for queer subjectification in contemporary Turkey

This article focuses on the role of the stage in complex modes of gender performativity in the work of three Turkish performers: Zeki Müren (1931–1996), Bülent Ersoy (b. 1952), and Seyfi Dursuno?lu (b. 1932) a.k.a. Huysuz Virjin [Cranky Virgin]. These three, I suggest, are the pioneers of contemporary Turkish queer performance. Their performances – both on- and off-stage – are validated through a reiterative absence of queerness in their everyday lives and stand in the midst of various negotiations between queers and the secular Islamic nation-state in Turkey. In the works of Müren, Ersoy, and Huysuz, the stage is suggestive of a space where queerness can be managed. It is a contested space that does at least allow for the communication of queer ideas to a wider audience. I discuss the works of these three performers as three variations of queerness in Turkey in relation to different eras and different political climates that are directly related to the nation-state's desire to perform modernity. While explicating complicated modes of gender performativity, I consider the stage as the primary space for a queer body to exist. Through this discussion, I aim to activate debates both within and against the context of secular Islam, on gendered political space, and on those overlooked sexualized spaces in which the nation-state produces powerful yet unstable values to manage queer subjectivity in contemporary Turkey.     

‘I am here’: women workers’ experiences at the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul

This study presents oral history research which investigated the experiences of surviving women workers from the former Cibali Tekel Tobacco and Cigarette Factory in Istanbul, Turkey. For most of its history, the factory was home to thousands of workers, many of who were women and, at times, outnumbered men two to one. While the site is now known for the university that it houses, photographs and archival records from the early twentieth century reveal the centrality of women in the process and production of tobacco and cigarettes until the factory completely shut down in 1995. Using oral history methods, we recorded the memories of 17 women who worked in the factory. A multi-faceted analysis reveals the gendered nature of the space at the time as well as the importance of the factory as a place in the lives of these women.