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This study explores the ideologization of media discourse in the Middle East through investigating political influences over leading media corporations in the region. A critical discourse analysis was applied to news reports issued by prominent Middle Eastern media giants Al Jazeera and Al Arabiya. The research data included eight news articles from both media outlets. Thus, four articles from each corporation have been studied and analyzed in an effort to realize the objectives of the study at hand. Blass’s Manipulative Strategies… and van Dijk’s Ideological Square… constituted primary methodological instruments within the framework of this research. The findings indicate an explicit impact of local political agendas on the discourse and editorial policies of each of the studied media corporations, which emerge in violation with the claimed journalistic commitment to objectivity and impartiality in terms of news reporting.  相似文献   
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Psalm 129 depicts the distress of the people in exile. The common understanding is that vv. 6-8 is a lament for the downfall of its present adversaries. This article proves that this is not the meaning of the second half of the Psalm. It contains no appeal to God for salvation or thanksgiving for an ameliorated situation. Verses 6-8 depict the transience of the peoples exilic existence. The psalmist likens the people to the roof-top grass that withers rapidly. The rooftop grass evokes the poverty and the landlessness of the people that compel them to utilize their rooftops to grow crops that yield so little that there is almost nothing to harvest. This situation stands in contrast to the divine blessing of the agriculture in the Land of Israel. The psalmist’s objective is to convey the harsh reality of the exile. He juxtaposes this situation against the much awaited future and against the abundant Divine blessing of the past.  相似文献   
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This paper attempts to explain the peculiarities of the Deborah narrative. In contrast to other savior- judges, Deborah is a prophetess, a judiciary, and a woman. Her role as a savior differs from other judges in that she is a high commander, but Barak carries out the actual task of battle. Deborah's rule conveys the lesson that God is responsible for victory. This is why she is presented as a prophet and a messenger of God and her personality is not portrayed in the story at all; rather, she is shown as a well-established judge and therefore an anti-charismatic figure. The emphasis on her status as a woman is meant to prevent her from becoming involved in an actual battle; this is left for Barak to carry out. When Barak demands the presence of Deborah on the battlefield, it might be thought that her presence is necessary to gain victory; then, as in the Ehud narrative, an unhealthy dependency between the people and Deborah might have been produced. Deborah responds with a prophecy that a woman will kill Sisera; in this way she reinforces her prophetic role rather than her personality, rectifying the damage caused by Barak's request.  相似文献   
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Soqotra Island, the remote border outpost of the Yemeni state in the Indian Ocean, is a community of mixed ethnic composition with a non‐Arabic mother tongue. It offers an ideal socio‐political context for the study of state–community relations in terms of polity formation as part of a political incorporation process. This focus provides a corrective to the still dominant segmentary society paradigm and its tribes‐driven state politics in the anthropological discourse on Yemen. Polity formation in Soqotra occurred through a series of acts of political incorporation by a succession of political regimes from the late nineteenth century to the present. The study of this process is pursued through a historical narrative of the state’s politics of administration. This narrative is aptly described as a mesography, as its analytical focus is on the meso‐level institutional web of four different political regimes with their distinctive modes of polity regimentation and their structuring effects on Soqotrans’ communal life.  相似文献   
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Microbial biofilms have developed on the surfaces and within the painted and gilded layers of mummy cartonnage at the Saqqara museum storeroom in Giza, Egypt. SEM–EDX, XRD and FT–IR–ATR techniques were applied to analyse the coloured and gilded materials, ground layer, textile support and binder used for the cartonnage. Aspergillus niger (24.8%), Penicillium chrysogenum (21.5%) and a novel cartonnage‐biodegrading bacterium, Bacillus sonorensis (23.7%), were the most abundant microbes growing over the cartonnage surface. In addition, Aspergillus tamari (15.4%), A. fumigates (8.1%) and Fusarium solani (6.5%) were identified. The pigments comprised Egyptian blue (cuprorivaite), cinnabar (red), orpiment (yellow) and green pigment made from a mixture of cuprorivaite and orpiment. Gold leaf was used for the gilded layer, calcium carbonate and gypsum comprised the ground layer, gum arabic was the binding medium and the fibre base was a fine linen textile. Microbial colonization tests were performed on aged cartonnage replica samples made from linen and pigments of similar composition to ancient pigments found in the cartonnage. Each sample was inoculated separately with A. niger, P. chrysogenum and B. sonorensis. Yellow orpiment samples were the exception, as no colour change was detected after colonization by the examined micro‐organisms.  相似文献   
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