Changing Values in the Art Museum: rethinking communication and learning

In changing times older art-museum values are coming under challenge and new emphasis is being placed on museum-audience relationships. The professional development of new communicative approaches in art museums can be seen as a form of action research. Older modernist models for communication based on the transmission of authoritative subject-based facts to a mass of passive receivers are being superseded by new approaches that acknowledge 'active audiences', constructivist and interpretist learning theories and the complexities of cultural politics. New roles for art museum professionals, the concept of differentiated audiences, the intervention of new voices and the exposition of new narratives offer possibilities for the reconceptualisation of art museums that are rooted in late 19th-century modernist culture.     

Foucault and museum geographies: a case study of the English ‘Renaissance in the Regions’

This paper explores the subject of museum geographies, focusing particularly on the development of museum policies in a changing political context. The empirical focus is the emergence and transformation of the museum programme Renaissance in the Region, which is linked to the concepts of primary, secondary and tertiary spatialisations presented by Michel Foucault. The paper discusses the development of the programme and how it transformed aspects of the primary, secondary and tertiary spatialisations of museums in England, before focusing attention on the geography of school visits to museums. The results of two extensive studies of school visits to museums in the programme suggest that large numbers of visits come from schools located in areas with high indices of multiple deprivation and income deprivation affecting children. It is argued that this social geography reflects the tertiary spatialisation of museums linked to their emergence in areas of past industrial development, although practices linked to reconfigurations of the primary and secondary spatialisation as part of the Renaissance in the Regions programme may also have played some role. The paper concludes by discussing recent changes in government policy and the degree to which the ‘New Renaissance’ policy may signify reductions in the social reach of museums into areas of social deprivation and exclusion.     

Measuring Learning Outcomes in Museums,Archives and Libraries: The Learning Impact Research Project (LIRP)

There has been legislation in place since the 1970s in Canada's largest province, Ontario, that encourages the identification of significant heritage buildings and is supposed to provide them with at least a degree of protection. Both heritage recognition and most other land use decisions, however, are exercised at the local government level. W'hile conservation of heritage structures has been successful in some places, an alarming number of significant historic buildings in the province continue to be lost. Relying on dozens of volunteers, this study examined thousands of buildings in over twenty Ontario communities and sought to establish how many heritage buildings had been demolished and to determine why these losses were occurring. It was discovered that in the municipalities surveyed over 400 historically recognised buildings had been lost in the last sixteen years. Recommendations for how to deal with this problem are included in the study.     

Reviews

Douglas Crimp, On the Museum's Ruins (with photographs by Louise Lawler), Cambridge, Mass. and London: The MIT Press, 1993. xx + 348 pp., 110 b. & w. illus. ISBN 0–262–03209–0. £24.95.

Clarissa Campbell Orr (ed.), Women in the Victorian Art World, Manchester and New York: Manchester University Press, 1995. xiv + 208 pp., 1 fig., 29 b. & w. illus. ISBN 0–7190–4123–6. £14.99.

Diana Ketcham, Le Désert de Retz, Cambridge, Mass. & London: The MIT Press, 1994. vii + 135 pp., 99 b. & w. illus. ISBN 0–262–11186–1. £35.95.

Anthony & Patricia Wylson, Theme Parks, Leisure Centres, Zoos and Aquaria, London: Longman, 1994. 183 pp., 107 figs., 109 b. & w. illus. ISBN 0–582–099285. £60.00.

David Lambert, Peter Goodchild, & Judith Roberts, Researching a Garden's History: A Guide to Documentary and Published Sources, Reigate: Landscape Design Trust, in association with Institute of Advanced Architectural Studies, University of York, 1995. 28 pp. 12 b. & w. illus. ISBN 0–9518377–0–2. £6.00.

Mike Sixsmith (ed.), Touring Exhibitions: The Touring Exhibitions Group's Manual of Good Practice, Oxford: Butterworth‐Heinemann, 1995. xviii + 237 pp., ISBN 0–7506–2518‐x. £35.00.

Richard Harrison (ed.), Manual of Heritage Management, Oxford: Butterworth Heinemann and the Association of Independent Museums, 1994. xiii + 425 pp. ISBN 0–7506–0822–6. £65.00.

J. M. Fladmark (ed.), Sharing the Earth : Local Identity in Global Culture, London: Donhead, 1995. xviii + 381 pp., 70 b. & w. illus. ISBN 1–873394–19–5. £37.00.

Gary Edson and David Dean, The Handbook for Museums, London and New York: Routledge, 1994. xvi + 302 pp. ISBN 0–415–09952–8. £27.50.

Michael Wheeler (ed.), Ruskin and Environment: The Storm‐Cloud of the Nineteenth Century, Manchester and New York: Manchester University Press, 1995. x + 202 pp., 7 b. & w. illus. ISBN 0–7190–4377–8. £40.00.

M. D. Anderson, History and Imagery in British Churches, London: John Murray, [1971], 1995. xxiv + 291 pp., 1 map, 18 figs., 93 b. & w. illus. ISBN 0–7195–5414–4. £15.99.

Chris Brooks & Andrew Saint (eds.), The Victorian Church. Architecture and Society, Manchester: Manchester University Press, 1995. xii + 228 pp., 82 b. & w. illus. ISBN 0–7190–4020–5. £16.99.

M. Christine Boyer, The City of Collective Memory: Its Historical Imagery and Architectural Entertainments, Cambridge, Mass., and London: The MIT Press, 1994. xii + 560 pp., 65 b. & w. illus. ISBN 0–262–02371–7. £34.95.

John Glasson, Kerry Godfrey, Brian Goodey, Helen Absalom, & Jan Van der Borg, Towards Visitor Impact Management, Aldershot: Avebury, 1995. xii + 189 pp. ISBN 1–85972–054–4. £35.00.

Ann Bermingham & John Brewer (eds.), The Consumption of Culture 1600–1800. Image, Object, Text, London & New York: Routledge, 1995. xvi + 548 pp., 111 b. & w. illus. ISBN 0–415–12135–5. £120.00.

B. W. Clapp An Environmental History of Britain since the Industrial Revolution, London and New York: Longman, 1994. 268 pp., 2 maps, 12 b. & w. illus. ISBN 0–582–22626–0. £12.99.

Eilean Hooper‐Greenhill, Museum, Media, Message, London and New York: Routledge, 1995. xvi + 299 pp., 23 b. & w. illus. ISBN 0–415–11672–4. £40.00.

A. Davey, B. Heath, D. Hodges, M. Ketchin & R. Milne, The Care and Conservation of Georgian Houses: A Maintenance Manual for Edinburgh New Town, Oxford: Butterworth, 4th ed., 1995. xxviii + 291 pp., 100 b. & w. illus. and 100 figs. ISBN 0–7506–1860–4. £40.00.

Philip Rahtz, English Heritage Book of Glastonbury, London: Batsford & English Heritage, 1993. 144 pp., 97 figs., ISBN 0–7134–6865–3. £14.99.