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The South China Sea (SCS) is a conflict‐ridden international arena of rivalry between China, the USA, India, and the other ASEAN countries over sovereignty, resources and security. In this geopolitical clash China is the dominant force and Vietnam its main challenger. While most analysts assume that the various claims to the mostly uninhabited islands are motivated by the presence of submarine mineral resources, the conflicts evoke strong nationalist feelings in Vietnam and China, fuelled by narratives of the historical presence of fisheries and navies. By analysing the tension between complex territorial claims, new technologies and forms of knowledge applied by these states to delineate their material borders on the sea and vernacular notions of social space, this paper explores how sovereignty and nationality is enacted on a day‐to‐day basis. Thus, I argue that maritime territorialisation is a paradox of treating the sea as ‘land’ produced by the performance of a socially constructed image of the state geo‐body capitalising on strong nationalistic sentiments in China and Vietnam.  相似文献   
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We have determined the composition of rock art pigments from two megalithic barrows located in the north of Portugal. The use of XRD, SEM–EDS and FT–IR spectroscopy confirmed the presence of hematite and kaolinite in the red pigments from the Eireira barrow, and kaolinite in the white pigment from the Leira das Mamas barrow. The organic composition of the pigments was studied by GC–MS, suggesting that the red sinuous lines and dots from the Eireira barrow were prepared with cooked or heated algae and/or aquatic plants, with egg as binder, while the white pigment from the Leira das Mamas barrow revealed a mixture of vegetable oils for kaolinite moulding, which could be stabilized by temporary exposure to high temperatures. The multi‐analytical approach used on this study of megalithic pigments allowed the recovery of important data about north‐western prehistoric communities, namely the way in which they exploited existing resources and their ability to transform them.  相似文献   
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A group of 18 cameos dated from the 16th to 19th centuries (bearing motifs of Roman emperors and female members of their families) from the Constantine Schmidt‐Ci??yński collection was investigated with gemmological analyses, supported by non‐destructive mineralogical methods such as X‐ray diffraction (XRD) and micro‐Raman spectroscopy (RS) to ascertain the material used. Although there is no scientific method to date the specimens precisely, the mineralogical data supported by archaeological analyses enabled the estimation of the possible timing of the manufacture of the gems. As a result, the cameos were divided into four basic chronological groups: (1) Renaissance, (2) Baroque, (3) uncertain and (4) Classical and Neoclassical.  相似文献   
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This paper analyses, from the perspective of cultural policy considerations, the legal regime established by the recent Polish law on the immunity from seizure of cultural property on loan (2015). It deals with current trends of international museum exchange and explains the benefits and risks involved in cross-border loans of cultural material. This analysis is carried out by focusing on the actual practice and experiences of Polish museums, national and international regulations in force, and human rights considerations. The authors attempt to situate the Polish model for the protection of foreign cultural property on loan within the broader comparative context of the domestic legislation on museum exchange adopted in selected national jurisdictions. The article also offers a more general cultural policy discussion in the context of international museum exchanges of cultural material. Laws and policies facilitating such exchanges are weighed against other rights and interests encompassed in the protection of cultural heritage and the realisation of all human rights, including cultural rights.  相似文献   
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In the tourism studies literature, wilderness has been addressed from two perspectives. From the first, human, perspective wilderness is a social, subjective construction that exists only in the mind of its users. From the second, ecological, perspective it is a material, objective reality. Here, we compare these two perspectives based on data collected in one of Poland's most popular nature-based destinations, The Great Masurian Lakes region, and develop a methodological framework which would operationalise this comparison and make it measurable. The research approach combined a survey of tourists and mapping of natural features. The data was analysed, first, to verify whether stated preferences regarding nature and the natural features surrounding tourist accommodation were coherent; this resulted in the construction of a Coherence Index (CI). Second, we analysed how stated preferences with respect to nature were linked to outdoor recreational activities; this was measured by a Nature Cruciality Index (NCI). Finally, both indexes were mapped and their spatial distributions were analysed. The findings showed that the subjective, social construction of wilderness does not always correspond to objective reality. Although tourists declared natural environment to be very important to them, in some cases the analysis found a lack of consistency between expressed preferences and the natural features found around accommodation. The phenomenon was mainly found in towns, where tourists were most nature-indifferent. Moreover, they were not interested in activities with high NCI. In some cases, however, the two perspectives were coherent, especially among nature-oriented tourists who stayed near lakes and those who stayed in villages (who were most conscious of their choices). Tourists who stayed near lakes undertook the most nature-crucial activities. These findings can be used to enhance local planning, management and marketing strategies for nature tourism.  相似文献   
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abstract

This article focuses on the inset on Gerardus Mercator’s large map of Russia cum confiniis [Russia with surrounding lands] that was published in his Atlas (1595), and the map Moscovia [Muscovy] published by Jodocus Hondius in the Atlas minor (1607). Comparison of the contents of Mercator’s inset map, titled Russiae pars amplificata [Part of Russia enlarged] and Hondius’s Moscovia map with the Polish propaganda poem Raid on Muscovy by Jan Kochanowski that had appeared in 1583—just after the war between the Polish–Lithuanian Commonwealth and Muscovy—led to the suggestion that both Mercator’s and Hondius’s maps were based on Polish–Lithuanian narrative sources as well as on a map drawn by the Polish royal cartographer Maciej Strubicz. To test the hypothesis, a historical-linguistic analysis of the orthography of the map’s toponyms and hydronyms was employed to distinguish their Polish, German and Latin characteristics. The result confirms that the two maps were indeed based on a Polish military map containing a hidden Polish propaganda message.  相似文献   
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