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Historical records indicate that the fertile soils of the western and central Wimmera Plains of Victoria, Australia formerly supported grassy woodlands on rises and flats, and grasslands on shallow depressions and clay plains. Soil type and micro-relief appear to have been the major factors that determined the distribution of these communities. Burning of the woodlands by Aborigines may have contributed to their open grassy nature. The few ungrazed remnants of Buloke (Allocasuarina luehmannii) woodland support a suite of species that are absent from or uncommon in other Buloke woodland remnants in the region. This work demonstrates that in districts where little intact native vegetation remains, investigation of the distribution and floristic composition of the pre-settlement vegetation can provide useful information for the maintenance and restoration of remnant vegetation.  相似文献   
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Although only legalised in 2002, Indian commercial gestational surrogacy (CGS) is an industry worth an estimated 2.3 billion USD to India at its height. Not only has this contentious topic been researched extensively from a spectrum of academic angles, representations of Indian CGS abound in both the Indian and Western popular media (novels, documentaries, films, etc.), and increasingly online, particularly in CGS websites, advertisements, and (personal) blogs. Popular media representations as well as commercial ones can often be inclined towards the sentimental and even sanctimonious, but are immensely influential in shaping public perception. This article seeks to position the discourse and representation of transnational Indian CGS more explicitly within the postcolonial framework. Thus, it addresses a theoretical gap in explicitly connecting the problematic issues of power and ethics in CGS within the paradigms of postcolonial studies, drawing also on gender and feminist frameworks. The neo-colonisation of the body has been already considered to some extent – mostly in neo-liberalist contexts – but the industry’s systemically orientalistic set up and structure has been surprisingly little mentioned, particularly where transnational surrogacy is involved, with little framing of the imperialistic hangovers and undertones dogging these particular sets of international contracts. This article maps the orientalisms (and sometimes re-orientalisms) at play in this already fraught and contentious context, positioning transnational surrogacy as another instance of imperialism, as yet another form of cultural colonisation, othering, subalternising, and peripheralising working-class Indian surrogate women in the twenty-first century.  相似文献   
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ABSTRACT

During the Cold War era, the Connolly Association, an Irish republican socialist political organisation in Britain close to the Communist Party of Great Britain, was seen by British Communists as a potential means of winning recruits amongst Britain’s growing post-war Irish community. This view was shared by the Catholic Church, which, amidst the broader ideological atmosphere of the Cold War, placed an increased emphasis on anti-communism in the early post-war years. This article will discuss clerical opposition to the Connolly Association in early Cold War Britain and Ireland, drawing chiefly on diocesan archives and Catholic periodicals.  相似文献   
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We describe the formulation and application of an integrated general regional seismic loss assessment (RSLA) method for buildings in seismic regions. An efficient method for RSLA is valuable for engineers involved in city planning, risk management, and insurance dealings. In contrast to previously reported methods, the framework presented herein is hazard-based and utilizes a regional rapid seismic hazard deaggregation tool that allows regional assessment to be conducted more efficiently. The proposed technique is implemented as an example to assess general regional seismic loss in Los Angeles County for a ground motion hazard with 10% probability of exceedance in 50 years.  相似文献   
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Hybride der Romantik: Frankenstein, Olimpia und das künstliche Leben . Dieser Beitrag untersucht Vorstellungen über die Möglichkeit der Erzeugung künstlicher Lebewesen in der Zeit der Romantik und die damit verbundenen Ängste am Beispiel zweier fiktionaler Texte: Mary Shelleys Frankenstein und Ernst Theodor Amadeus Hoffmanns Sandmann. Dr. Franksteins Monster und Dr. Spalanzanis Automat verkörpern – auf unterschiedliche Weise – die Möglichkeit einer Wendung wissenschaftlicher Produkte und insbesondere künstlicher Hybride ins Monströse. Ihre Geschichten thematisieren das Grauen, das vom drohenden Kontrollverlust ausgeht und als der modernen Wissenschaft innewohnende Gefahr selbst nach der Zerstörung der monströsen Kreaturen bestehen bleibt. Der Begriff des Unheimlichen, von Ernst Jentsch und Sigmund Freud mit Bezug auf Hoffmanns Sandmann formuliert und 1970 von dem japanischen Robotiker Masahiro Mori als Phänomen „des unheimlichen Tals“ (Uncanny Valley) weiterentwickelt, erlaubt weitere Einblicke in die Frage nach künstlichen Lebewesen und ihre Interaktion mit Menschen. Summary: Hybrids of the Romantic: Frankenstein, Olimpia, and Artificial Life . This essay analyzes fantasies and fears related to the possible creation of artificial humans in two influential pieces of Romantic literature, namely E.T.A. Hoffmann's Der Sandmann and Mary Shelley's Frankenstein. Both the automaton Olimpia and Dr. Frankenstein's monster are hybrid creatures. These dystopian figures represent the Romantic fear of the loss of control over the outcome of human endeavour, they symbolize the dangers immanent in modern science and technology. As hybrids, Olimpia and Frankenstein's monster are capable of breaking apparently unpenetrable boundaries, such as those between human and non-human, and between life and death. As such, these creatures become “unheimlich” (uncanny), a critical term developed by Ernst Jentsch and Sigmund Freud, who directly referred to Hoffmann's Sandman. The term “uncanny” was further developed by the Japanese roboticist Masahiro Mori in the 1970s. Mori's investigation of human responses to androids (“Uncanny Valley”), shows the persistence of doubts and fears surrounding artificial humans far beyond the Romantic times, and opens new questions related to the issues of creation, reproduction, hybrids, hubris and gender.  相似文献   
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