The Neolithic of the eastern Baltic

This survey of the Baltic Neolithic, from Vistula to the Gulf of Finland, highlights the results of research during the last 30 years. The primary Baltic Neolithic is represented by two indigenous cultures, Narva and Nemunas. Their hunting, fishing, and gathering subsistence strategies gradually expanded to include domesticated plants and animals. The Comb-and-Pit Ornamented Pottery, Globular Amphora, Corded Ware, Bay Coast, and Boat-Axe cultures are also described. Within the Baltic Neolithic, I emphasize the origin, technology, economy, settlement, ritual, ethnic origins, and relationships among the various Neolithic populations. There is then a discussion of the origin of the Baltic linguistic group (Latvian, Lithuanian, and Old Prussian); this is associated with the appearance of the Late Neolithic Corded Ware culture, whose people integrated with local populations, leading to the development of the Bay Coast culture. Late Neolithic developments are associated with the Finno-Ugrian linguistic group in the northern Baltic.     

PERFECT REPRESENTATIONS OF SOVIET PLANNED SPACE

The article looks at mono‐industrial cities in the Baltic States during the Soviet era. In terms of economy, ethnicity and their urban appearance these heterotopic towns were outposts in the integration of the occupied European‐like territories into the Soviet Union. Thanks to the principles of planning and state‐favoured development that were applied across the Soviet Union, these towns, built for Russian speaking immigrants, stood out from the surrounding patterns of settlement that had developed naturally over time. The uranium producing town of Sillamäe in Estonia was built in secret and with lightning speed amidst the panic concerning the atom bomb immediately after the war, and provides us with a perfect model of Stalinist urban development. Stu?ka, built in the 1960s near a hydro‐electric power station in Latvia and Snie?kus, built in the 1970s next to a nuclear power station in Lithuania, were less separated from the surrounding landscape, but both provide a perfect example of Soviet modernism, which had been learned from mass‐housing in the West.     

The international transfer of creative industries as a policy idea

This article examines the transfer of creative industries as a policy idea to Lithuania. Tracing the stages of the transfer and analysing its consequences in the local cultural policy field, this paper argues for the importance of studying cultural policy process. The findings reveal that the process of the international transfer of creative industries mattered, because it generated wider transformations in cultural policy field by having ambiguous effects on local power relations. The policy idea of creative industries opened the cultural policy field to new actors. As a result, competition for scarce state funding increased, but cultural organisations gained access to the European Union structural funds. In all, creative industries as a policy idea significantly transformed Lithuanian state cultural policy, in that it led to a reassessment of both the practices and identities of cultural organisations.     

From Partisan Warfare to Memory Battlefields: Two Women's Stories about the Second World War and Its Aftermath in Lithuania

This article explores how women fighters tell their stories in relation to the dominant state narratives about a partisan war. In addition to engaging their individual stories, it explores how they speak, write and act as memory entrepreneurs, creating collective memory about a past that they have experienced instead of allowing others to select actors and events for historical narratives. It argues that memory regimes and gender cultures are intertwined, and that gender cultures are essential in understanding the cultural choices made by memory entrepreneurs in memory making. The article analyses the oral testimonies and written memoirs of two women, Rakhel’ Margolis and Aldona Vilutien? (neé Sabaityt?), who were partisans in Lithuania during the Second World War (Margolis) and its aftermath (Vilutien?) and created the first museums dealing with the Second World War and its legacy in post‐Soviet Lithuania. Read as stories about what it was like to be a woman during a partisan war, the narratives include some common themes: widespread betrayal, the difficult physical conditions that they had to endure as women and the vulnerability that came with these experiences. Read as stories told by memory entrepreneurs, the narratives reveal that the two women acted as mnemonic warriors fighting for competing memory regimes built on opposing gender ideologies.     

Radiocarbon and dendrochronological dating of Sub-fossil oaks from Smarhoń riverine sediments

Sub-fossil oaks from Smarhoń in Belarus have been investigated and tree-ring chronologies were assembled. According to radiocarbon dating, the oldest oak grew from 5782–5612 cal BC and the youngest from 1575–1747 cal AD. Radiocarbon and dendrochronological dating of 97 samples, four single series, 10 mean curves (containing 2–9 series) and three chronologies (10–25 series) were constructed. The longest chronology (No. 16), covering 549 years, was absolutely dated against various oak chronologies of Polish/Baltic origin to AD 778–1326. Germination and dying-off phases were assessed from the three best replicated chronologies. A spectral analysis of the chronologies provided cycles of variable length, on average of 25 years.