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This article analyzes the relationship between violence and the racial city. It examines Durban's construction and disintegration in the context of unsuccessful apartheid reform, and traces corresponding distinct but overlapping stages of violence. Internecine violence of the latter 1980s constituted a racially displaced confrontation over political control and resources of the society transformed into internecine conflict within black residential areas, especially the urban peripheries. The violence was rooted in spatial and material differentiation reinforced by township and shantytown power structures, which clandestine state intervention accentuated. The article concludes by analyzing the new spatial and racial city forms, suggesting alternative urban reconstruction paths to redress the deeper causes of violence.  相似文献   
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This paper begins with a review of the literature on tourism in rural economies, to establish a framework for analyzing large‐scale tourism products in rural and small town regions. The review is followed by the development of a typology of large‐scale attractions in rural and small town regions, including parks, casinos, events, heritage, and cultural products. The typology leads into the example of the Canadian Fossil Discovery Centre (CFDC) in Manitoba, Canada. Located in an agricultural region of south‐central Manitoba, the community of Morden is located 125 km from the provincial capital city, Winnipeg, which had a population of 811,900 in 2016. Morden is also located 35 km north of the border with North Dakota. Thus, while a small town in a traditionally rural region still dependent upon an agricultural economic base, Morden has been recently successful in diversifying its economy, including through manufacturing, services, hospitality, and tourism. In part, this success is due to a south‐central Manitoba location; however, it is also the result of innovative local leadership, including the prioritization of hospitality and tourism related to the CFDC. This paper describes the case study as an example of successful tourism development within an already economically and socially diversifying region.  相似文献   
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Understood as mimetic portrayals of the image of unlimited good projected by European colonial culture, Melanesian ‘cargo cults’ are therefore viewed as ‘irrational’ within indigenous understandings. Consequently, Western anthropological discourse has sought to functionally normalize and nativize ‘cargo cult’ behaviors at the expense of denying their non‐rational character. The result has been a lexical and semantic uncertainty and explanatory instability in ‘cargo cult’ discourse that can be analyzed as a type of discursive ‘madness.’ A strategy of reading the ‘madness’ of ‘cargo cult’ discourse is outlined and applied to key anthropological texts, in particular Peter Worsley's The Trumpet Shall Sound.  相似文献   
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