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Australia contains some of the world's richest and apparently longest traditions of rock pictographs. Dating this art, however, has been problematic, with few ‘direct’ and reliable dates of Pleistocene or early Holocene age having been obtained from visible, representational imagery. This paper critically reviews the evidence for the antiquity of pigment rock art in Australia by examining the various dating techniques employed. The accurate and reliable dating of rock art worldwide is crucial to understanding the evolution of modern human symbolism and whether cognitive modernism came about after, rather than with, the first signs of full biological modernism; understanding the pitfalls and devising proper methods are crucial prerequisites. Towards these ends, this paper reviews the results and techniques that have been employed to date the apparently earliest known pictographs in Australia.  相似文献   
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Archaeological excavations at an ancestral village site within rainforest in Papua New Guinea has revealed buried cultural evidence that can be explained in a number of ways. While interpretations based on Western archaeological methods suggest regional landscape dynamics informed by geomorphological processes, Indigenous Rumu oral traditions suggest an interpretation of the site’s stratigraphy based on the workings of spiritual forces. The role of story-telling and new information in site interpretation and understanding is explored in light of these different yet complementary accounts.  相似文献   
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We report new archaeological excavations from northern Australia revealing part of a charcoal design likely to be c. 28,000 years old (and chrono-stratigraphically constrained within the period 15,600–45,600 cal BP) on a small rock slab fallen from the ceiling at the rockshelter of Nawarla Gabarnmang in Jawoyn country, Arnhem Land. This represents the oldest confirmed pictograph in Australia.  相似文献   
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