On Puṇyapariṇāmanā in Nāgārjuna's Works

An important but rarely discussed feature in Nāgārjuna's works is the presence of a dedicatory verse (pu?yapari?āmanā) in some and its absence in others. The paper looks at all reliably attributed works by Nāgārjuna, examining similarities in those that dedicate merit and similarities in those that do not. In addition, the paper establishes the criterion by which the author classes some of his works as merit generating so that he, as a practising bodhisattva can transfer it. The paper concludes that, contrary to the established opinions, the motive of obtaining pu?ya has been of the highest importance for Nāgārjuna.     

Nāgārjuna and the Tathāgatagarbha: A Closer Look at Some Peculiar Features in the Niraupamyastava

This article examines several verses from the Niraupamyastava , where Nāgārjuna makes explicit references to the non-empty aspects of the doctrine of emptiness—a topic systematized and crystallized in the doctrine of Tathāgatagarbha , thought to have appeared later than his date and to have been unknown to him.
Establishing the authenticity of the hymn, in addition to the criteria utilized by Lindtner, the article analyses the style and the relationship of the text with texts belonging to other schools, thus locating Nāgārjuna in his historical and temporal context. The article also brings into focus the overlooked or marginalized topics present in Nāgārjuna's texts such as the practice of devotion and visualization of the Buddha as method for realizing emptiness.