Evaluating the Manufacturing and Retailing Practices of H. J. & D. Nicoll through a c. 1860 Boy’s Suit

A boy’s suit of fawn wool sold by H. J. & D. Nicoll of London, dated c. 1860, in the Fashion Museum, Bath, raises a number of issues. Combining the long trousers worn by adolescents with a jacket associated with younger boys, it marks a turning point in age-related dress codes. Mass produced but with hand stitching, it presents evidence of the exploitative practices Nicoll had been charged with in Henry Mayhew’s Morning Chronicle letters in 1850. The prominent labelling of the suit relates to Nicoll’s publicity strategies and to the importance of boys’ clothing for ready-to-wear retailers. A comparison of the suit with other surviving garments and with marketing documents illuminates the way that Nicoll positioned itself within the retail market. The rarity of this survival and the scarcity of information on a high-profile and long-lasting retailer make this an important case study for investigating the origins of the ready-to-wear clothing trade in Britain.     

The garden as a laboratory: the role of domestic gardens as places of scientific exploration in the long 18th century

Eighteenth-century gardens have traditionally been viewed as spaces designed for leisure, and as representations of political status, power and taste. In contrast, this paper will explore the concept that gardens in this period could be seen as dynamic spaces where scientific experiment and medical practice could occur. Two examples have been explored in the pilot study which has led to this paper — the designed landscapes associated with John Hunter’s Earl’s Court residence, in London, and the garden at Edward Jenner’s house in Berkeley, Gloucestershire. Garden history methodologies have been implemented in order to consider the extent to which these domestic gardens can be viewed as experimental spaces.     

Visual artists: counter‐urbanites in the Canadian countryside?

Professional visual artists have always enjoyed considerable latitude in the selection of a place of work and residence. Recent decades have witnessed their growing presence within the Canadian countryside. This paper seeks to provide an interpretation of this phenomenon by exploring two sub-objectives. First is to determine whether artists who establish themselves in rural communities can be considered to be part of the counter‐urbanisation movement, involving the relocation of urban residents down the settlement hierarchy. Second is to identify what types of migration are occurring and why. Our surveys of visual artists residing in the southern Ontario communities of Elora and Parry Sound reveal that most participants are part of a movement involving the decision to take up both residence and employment in a rural locale. We further find that the relocation of visual artists is driven to some extent by a strong attachment to natural landscapes. By way of conclusions, we briefly speculate about the broader population of urban residents. We remind ourselves that artists often have been harbingers of new movements and that today there are growing numbers of workers outside the artistic community who also have increasing latitude in regards to choosing where to live and work. Overall, our findings suggest that there is ongoing blurring of geographic boundaries—between space and place, between place of work and place of residence and, of course, between rural and urban.     

Innovation Advantages of Cities: From Knowledge to Equity in Five Basic Steps

This paper explores the reasons why cities are often major centres of innovation, even in some less favoured regions and countries. It starts with an anatomization of the dominant factors that explain why key less favoured settings developed 'new economy' clusters through institutional interaction with Silicon Valley. The analysis concludes that public research resources and private commercialization funding are central, supported by a wide array of private but few public innovation support services. It then examines a number of cases from cities in less favoured regions and countries where innovation has occurred. The conclusions are that the research-venture capital model is present and explains innovation in each case. However, in some cases public venture capital has to substitute for private due to market failure, or a phenomenon termed 'Silicon Valley Offshore' has been induced. Cities are innovative where they concentrate the desired scientific and investment knowledge capabilities.     

C.S. Lewis: an Irish writer

This article examines the effect of C.S. Lewis's Irish background on his work. It attempts to contradict the assumption that this Belfast-born writer should be included in the English and not the Irish canon. It emphasises that Lewis saw himself as Irish, was seen by others as Irish, and that his Irish background, contrary to what some have written, was important to him throughout his lifetime. It goes on to demonstrate the ways in which his work was influenced by his youth in Ireland and by the Irish mythology that he loved. Furthermore, this article maintains that, as a child of pre-partition Ireland with roots throughout the island, Lewis was influenced by the country as a whole, not just his native Ulster. Finally, it attempts to understand why Lewis, a proud Irishman, did not do more to promote himself as an Irish writer.