Mooring subjects of heritage: proprioceptive emplacement at Head-Smashed-In Buffalo Jump

This article examines how visitors to Head-Smashed-In Buffalo Jump (HSIBJ) in Fort Macleod, Alberta, are physically and affectively situated within an immersive heritage landscape. A designated UNESCO World Heritage Site, HSIBJ is inextricably tied to regional Blackfoot and settler-colonial histories, as well as the tensions that emerge between the two. HSIBJ’s Interpretive Centre is organised to plunge audiences inside the ‘live’ archaeological scene and an evocative heritage landscape. It does so through technologies, including motion-triggered projections, which locate and secure visitors within official national – and universal – heritage narratives. The central argument of this article is that HSIBJ’s Interpretive Centre beckons subjects of heritage through proprioception, the awareness of the body’s position in and movement through space. Extending beyond the physiological sensation of one’s own body, proprioception also works alongside the two other substantiating buttresses of archaeology and heritage to provide a gravitational ground upon which the visitor is located and their subjectivity confirmed. Proprioceptive grounding emplaces a body within an expanded and ‘ancient’ narratology of nation, and in this way, also becomes the mechanism through which exogenous settlers assuage anxieties about their latecoming status.     

‘Dissidence’ in Holocaust Memorials in Literature: Jáchym Topol’s The Devil’s Workshop (Chladnou zemí)

Abstract

Established Czech precedent has made the town of Terezín an important literary symbol of Holocaust memory, used in the 1960s to construct myths of Czech innocent victimhood. Jáchym Topol’s novel, The Devil’s Workshop (2009), returns to the theme with great originality, avoiding such myths by using a compromised first-person Czech narrator, who is involved in setting up ‘dissident’ commemorative museums at Terezín and in Belarus. These draw on documented accounts of real atrocities for their authenticity. Competitive in national terms, commercialized, and ethically compromised, they are finally, arguably inevitably, silenced. Topol’s ‘truth-telling’ is discussed in the context of Theodor W. Adorno’s criticism of committed Holocaust literature, Benedict Anderson’s interpretation of museums as commercialized constructions of nationality, and Timothy Snyder’s historical account of the killings in Eastern Europe; the ambiguous pessimism of his novel stands up well to criticism and, it is argued, has lessons even for historians of the Holocaust.     

LA-ICP-MS U-Pb dating and REE patterns of apatite from the Tatra Mountains,Poland as a monitor of the regional tectonomagmatic activity

This study presents apatite LA-ICP-MS U-Pb age and trace elements concentrations data from different granite types from the Tatra Mountains, Poland. Apatite from monazite and xenotime-bearing High Tatra granite was dated at 339 ± 5 Ma. The apatite LREE patterns reflect two types of magmas that contributed to this layered magma series. Apatite from a hybrid allanite-bearing diorite from the Goryczkowa Unit was dated at 340 ± 4 Ma with apatite LREE depletion reflecting the role of allanite and titanite during apatite crystallization. Apatite crystals from a hybrid cumulative rock from the Western Tatra Mountains were dated at 344 ± 3 Ma. Apatite is one of the main REE carriers in this sample and exhibit flat REE patterns. Taking into account the relatively low closure temperature of the U-Pb system in apatite (350–550°C), the c. 340 Ma apatite ages mark the end of high temperature tectonometamorphic activity in the Tatra Mountains.