Wives,Children … Husbands: Supporting Roles

In 1965, Hugo L. Black asked his wife, Elizabeth, to host a dinner party. The purpose: to help him persuade Carolyn Agger, wife of Washington attorney Abe Fortas, to allow her husband to accept President Lyndon B. Johnson's offer of a seat on the Supreme Court. A tax lawyer at the same firm as Fortas, Agger was displeased that the move would mean a big cut in his salary; she thought he should spend a few more years in his lucrative private practice before becoming a judge. After all, he was only fifty‐five. Elizabeth Black described the tense occasion in a diary entry:     

Limits to Climate Change Adaptation: Case Study of the Australian Alps

Climate change is occurring and not being mitigated, motivating adaptation but adaptation strategies can have biophysical, economic, technological, and social limits. We review publicly available documents to assess how successful current and proposed adaptation strategies may be for the Australian Alps, including likely limits and potential collaborations and conflicts among stakeholders. Conservation managers, the tourism industry, and local communities have implemented or are proposing a range of adaptation strategies in the region. Some stakeholder strategies complement each other (e.g. invasive species control, fire management), while others are potential sources of conflict (water and electricity for snowmaking, year‐round tourism). Economic costs and biophysical constraints are the most important limits to these adaptation strategies. These types of limits and conflicts between different stakeholders on adaptation strategies are likely to occur in other regions and demonstrate that adaptation may only provide partial and short term solutions to the challenges of climate change.     

Artists in rural locales: market access, landscape appeal and economic exigency

The period 1971 to 1991 saw a significant increase in the proportion of Canadians employed in the 'arts'. While still concentrated to a large extent in urban Canada, artists do seek out rural locations to pursue their craft. This paper identifies, interprets and classifies communities in rural Canada that specialize in the production of visual, performing and literary art. Location quotients are calculated from a custom-tabulated run of 1991 census data on employment in the arts in all Canadian census subdivisions. We propose several factors that may account for high concentrations of artists in some rural places. Cluster analysis is used to develop a classification of Canadian rural arts communities. We identify 371 small arts centres in Canada, ranging from Cape Dorset in the Northwest Territories to Elora in southwestern Ontario. Market access, landscape appeal and economic exigency are among the location determinants isolated. Further analysis reveals that five types of arts communities exist in rural Canada. Future research on a localized scale is now necessary to uncover specific factors responsible for the prevalence of artists in the rural ecumene.     

The creative destruction of Niagara-on-the-Lake

Heritage shopping villages are becoming increasingly commonplace in rural North America. Their creation reflects the demands of post-modern consumers to purchase symbolic capital in the form of unique products and experiences reflecting a bygone era. Entrepreneurs have responded to this by commodifying heritage and tradition; a process that leads to the creation of new landscapes and a perceived destruction of the old. This transformation has been described in the model of creative destruction (Mitchell 1998). In this paper the model is applied to Old Niagara-on-the-Lake, a heritage shopping village located in southern Ontario, Canada. Data on functional change, visitor numbers and residents' attitudes are analysed for the period 1950–1998. It is concluded that historic Niagara-on-the-Lake is in the early stages of 'advanced destruction'; one characterized by major investment, large numbers of visitors and partial destruction of the rural idyll. Results of this analysis confirm that while the basic premise of the model is sound, modifications are required to accommodate some of the study's findings.     

MEGALITH SIZE AND THE IMPLICATIONS FOR OUR UNDERSTANDING OF CONTEMPORARY SOCIETY,WITH PARTICULAR REFERENCE TO CUMBRIA,NORTH‐WEST ENGLAND

The possibility that a comparison of the size of all stones in megalithic monuments might contribute to an understanding of the societies which built them is explored. Although a number of interpretational problems are recognized, the results appear meaningful. They show that there is no simple relationship between the diameter of a stone circle and the numbers of people involved in its construction, and that larger numbers contributed to the erection of some individual standing stones. Previous suggestions that individual families consisted of four to five active adults are supported.