Ballistic Missile Defence: An Australian Perspective

The University of Queensland's School of Political Science and International Studies organised a round table in Canberra on 27 June 2001 that brought together a select group of government policy-makers and academic specialists to discuss the issue of ballistic missile defence (BMD). The round table provided useful insights into Australian thinking on the issue. This report seeks to summarise the essence of those discussions in order to contribute to the broader national debate.     

Three visions of the bomb: Australian thinking about nuclear weapons and strategy

This article argues that, over the decades, Australians have held three different, coherent, long-lived ‘visions’ of nuclear weapons and strategy. Those visions—which we have labelled Menzian, Gortonian and disarmer—compete on four grounds: the role that nuclear weapons play in international order; the doctrine of deterrence; the importance of arms control; and the relevance of nuclear weapons to Australia's specific needs. We believe this ‘textured’ framework provides a richer, more satisfying, and more accurate understanding of Australian nuclear identity, both past and present, than previous scholarship has yielded. Moreover, the competition between the three visions might not be at an end. Changes in international norms, in proliferation rates, in regional strategic dynamics, or even in the deterrence doctrines of the major powers could easily reawaken some old, enduring debates. Australian nuclear identity faces an uncertain future.     

How old are Australia's pictographs? A review of rock art dating

Australia contains some of the world's richest and apparently longest traditions of rock pictographs. Dating this art, however, has been problematic, with few ‘direct’ and reliable dates of Pleistocene or early Holocene age having been obtained from visible, representational imagery. This paper critically reviews the evidence for the antiquity of pigment rock art in Australia by examining the various dating techniques employed. The accurate and reliable dating of rock art worldwide is crucial to understanding the evolution of modern human symbolism and whether cognitive modernism came about after, rather than with, the first signs of full biological modernism; understanding the pitfalls and devising proper methods are crucial prerequisites. Towards these ends, this paper reviews the results and techniques that have been employed to date the apparently earliest known pictographs in Australia.