Being Hegelian after Danto

In this article I will discuss some systematic issues of Arthur Danto's philosophy of art and art history from a Hegelian perspective. Belonging to "Absolute Spirit," art can be called a "spiritual kind." Since spiritual kinds are reflective and self-determining, they are not susceptible to philosophical definition. Nevertheless, elements of essentialism can be maintained when describing art's historicity and conceptual structure. To this end, "art" can be interpreted as a two-tier concept: in inherently reflecting its concept, it projects its own conditions into the past, co-opting "prehistorical" artworks as predecessors and classical examples. Hegel's view of art as conceptually structured in itself can have disenfranchising or reenfranchising consequences: either reducing art to minor philosophy, or acknowledging its privileged access to its own essence. After Danto's detachment of the philosophy of art from aesthetics, Hegel would himself be deprived of the possibility to "define" art by intuition ( Anschauung ). Even if the spirit consists of essential kinds, philosophy is not in a privileged position to establish the essence of art and thus the difference between art and philosophy. Rather, philosophy must acknowledge art as a neighbor (Heidegger) and as partner in a dialogue.     

Medium-sized cities in urban regions

A research project of the German Federal Office for Building and Regional Planning focussed on the role and the perspectives of medium-sized cities in urban regions. Quantitative and qualitative research approaches were combined. The main results concretize the development, the functions and the perspectives of medium-sized cities. Simultaneously, the role of medium-sized cities was investigated in the regional context, considering that in urban regions the hierarchy of large, medium-sized and small cities is overlapped by network structures.     

Fruit and seed biomineralization and its effect on preservation

Mineralised fruits and seeds are frequently found in archaeological sediments but their chemical nature has not been often examined. The nature and the origin of these archaeobotanical remains have to be investigated to understand their taphonomic history. Fruits or seeds can be mineralised not only by replacement mineralisation but also by biomineralisation during the plant life. The mineral components of three fossil fruits sampled on the Pleistocene site of Dmanisi were analysed and compared with their modern analogues. Analyses were carried out by means of an environmental scanning electron microscope, equipped with an energy dispersive X-ray device and by means of a Fourier transform infrared spectrometer. Biogenic carbonates and/or biogenic silica were identified in the fossil and modern fruits of some taxa. Comparison between fossil and modern specimens has shown that molecular reorganisation occurred in carbonate and in biogenic silica during fossilisation, through diagenetic processes. The resulting stable mineral structures confer an exceptional preservation to fruits in sediments. Taking into account these taphonomic specificities (transformation and differential preservation), the chronological and palaeoenvironmental aspects of the mineralised fruits are discussed.     

Engendering the New Enclosures: Development,Involuntary Resettlement and the Struggles for Social Reproduction in Coastal Tanzania

This article engages with the feminist concept of ‘social reproduction’ to arrive at a richer understanding of the gendered processes and outcomes of contemporary large‐scale land acquisitions, or the ‘new enclosures’. It focuses on the case of a recent land deal for industrial sugarcane production in the Coast Region of Tanzania and the resultant process of involuntary resettlement. It critically analyses people's struggles for land in the face of imminent displacement, and the gendered ways they experience the erosion of their pre‐existing modes of social reproduction. It argues that enclosure of rural landscapes does more than immediately strip peasants and pastoralists of their means of production and turn them into wage labourers. It gradually uproots them from their socio‐ecological knowledges, cultural practices and historical memories, which are rooted on the land and articulated through gender. The highly uncertain processes of enclosure and displacement also force rural women and men to renegotiate their livelihood strategies and intra‐household gender relations.     

The Theory of Enchantment and the Enchantment of Theory: the Art of Alfred Gell

ABSTRACT Gell's Art and Agency that aimed to articulate the first anthropological theory of art has achieved a near‐cult status among the academic community. Departing from previous semiological and aesthetic approaches, this theory takes it that art is a form of instrumental action, the canonical efficacy of which lies in its power to function as a cognitive trap and to captivate the spectator's mind. In this article it is argued that Gell's theory is not as novel as it is claimed; that it fails to define the specific field of art; and that by excluding the aesthetic properties of art objects, it discards ethnographical data nonetheless necessary for understanding the agency of art in Melanesian local cultures. At a meta‐level, Gell assigned to his theory the same captivating purpose as he did to art, and this probably explains the seductive fascination that his work continues to exert.