A collective biography of joy in academic practice

Changing working conditions at many universities over the past decade have meant longer hours, intensified record-keeping, and more precarious employment. Despite these changes, many academics still insist that we enjoy our jobs. Our inquiry is oriented toward spaces and practices that bring us joy in our daily work and help us withstand the negative effects of working in academia. This article reports on our exploration of some moments of joy at work as part of our own academic practice. Through a feminist methodology known and developed as collective biography, we wrote individual memories of joy in our teaching, publishing, and collaborating, together at a writing retreat. As we analyzed these recalled moments, we came to realize that joy emerges through a turbulent process fueled by a cocktail of emotions. In fact, we came to understand joy as affect, with affect seen as a certain sort of excess, generated around and through sensations that might contribute to feelings such as celebration, happiness, or surprise as well as fear, anger, or embarrassment. We conclude that joy does things, that it can be transformative, and that cultivating joy in academia is part of a radical praxis.     

Pastoral Power, Governmentality and Cultures of Order in Nineteenth-Century British Columbia

I deploy Michel Foucault's concepts of pastoral power and governmentality to investigate the material consequences of two very different visions of the governance of Native people in nineteenth-century British Columbia. This entails a consideration of these modalities of power, and of the usefulness of relocating them in a colonial context. But I also argue that the conceptions of order embedded within these two modalities of power bear the stamp of, and demonstrate, very distinctive cultural geographies.     

Mitochondrial DNA from 3000-year old chickens at the Teouma site,Vanuatu

Chickens were part of the Lapita cultural complex, transported into and through the Pacific by prehistoric colonists; as such they can be used as a proxy for tracking prehistoric migration and interaction. The Lapita site of Teouma in Vanuatu is well known for the recovery of complete dentate stamped pots and a cemetery containing the largest collection of Lapita period skeletons ever found. Chicken bones recovered from these excavations provide the first ancient DNA sequences from any commensal organism directly associated with a Lapita context. The ancient mtDNA sequences obtained from two Teouma chicken bones are compared with previously published archaeologically derived ancient DNA sequences to extend our understanding of the spread of chickens in Pacific prehistory. The results also show that the haplogroup E signature was present in very early populations of chickens transported into Remote Oceania. This study also adds to the suite of available data relating to isotopic signatures for commensal animals during the early settlement of Vanuatu and may reveal a different diet for Teouma chickens than those from other early prehistoric assemblages in the Pacific.     

Lapita subsistence strategies and food consumption patterns in the community of Teouma (Efate,Vanuatu)

The subsistence strategies of the Lapita populations (3100–2800 BP), the first colonisers of the pristine environments of the islands of Eastern Melanesia and Western Polynesia, have been a matter of ongoing debate for decades. Opinions have ranged between the two extremes of Lapita colonisers being either characterised as highly mobile foragers to fully horticultural communities. To further address the question, this paper presents stable carbon and nitrogen isotopic data obtained from analyses of human and animal collagen samples from the site of Teouma (Efate, Vanuatu) dated to between c. 3000–2500 BP. The isotopic signatures obtained from 28 samples (23 human and 5 animal), interpreted in combination with isotopic information from several coastal and insular environments, suggest a diet primarily made up of terrestrially derived animal protein with lesser contributions from vegetable produce and inshore marine species. Comparisons linking the isotopic data gleaned from the Teouma individuals and Lapita subsistence patterns reconstructed through archaeozoological and archaeobotanical remains support the hypothesis of a mixed economy, that included terrestrial foraging, inshore marine exploitation and a low level of food production for at least some of the earliest Lapita colonists in Vanuatu.     

Situating banal nationalism,the culture wars,and civil religion: governing localized geographies of national identity in Indiana

Various material forms of national identity have become ubiquitous features of the post-9/11 American cultural landscape. This research specifically examines the ‘In God We Trust’ (IGWT) license plate in the state of Indiana as a material expression and territorialized form of national identity. While conceptually anchored in banal nationalism research, exploring the spatial patterns of adoption or non-adoption of IGWT license plates by Indiana residents is only possible through situating this research through the mediating lens of the culture wars and civil religion. Although the IGWT license plate project legislatively materialized through the localized spatial networks of non-state actors in the context of a new and conservative state–citizen relationship firmly anchored in the culture wars, adoption behavior is also mediated through the much broader influence of civil religion. We conduct a quantitative analysis to determine license plate spatial distribution by county, but more importantly to explore the sociodemographic dimensions of IGWT license plate adoption and non-adoption. While our results generally mirror the sociodemographic findings of social issue-based electoral geography, the imbrication of banal nationalism, the culture wars, and civil religion as materially expressed by the IGWT license plate yields an ideologically different and broader dynamic when compared to culture wars defined by national identity.     

Turn your trash into… Rubbish,art and politics. Richard Wentworth's geographical imagination

This paper analyses the photographs and installations of artist Richard Wentworth in order to examine his urban imagination and the cultural politics of rubbish that underlie it. In doing so this paper contributes more broadly to understandings of rubbish and material culture, and to geography's attention to artistic understandings and inhabitations of urban spaces. Central to this analysis are the geographies of Wentworth's work, its production, consumption and circulation. The paper attends to three nested sets of practices: the ‘everyday’ practices of people which draw Wentworth's eye, the potential of creative cultural practices for developing critiques of space and place, and the practices of the artist. As a result the paper pushes forward debates around the relationship between geography and art, reflecting on the analytical value of art practice to contemporary social-cultural geographies.