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Despite a decline in crime rates, the 1990s witnessed extensive media coverage of several high‐profile stranger abductions and murders of children. State legislators' swift response to the public's growing fear of sex offenders with the adoption of sex offender registration and notification (SORN) laws raises questions about the role of politics. Punctuated equilibrium theory and the diffusion of innovation jointly provide a context to conduct an event history analysis to assess the extent to which politics enhanced legislative responsiveness to public opinion in SORN policymaking. Contrary to the commonly held belief that attributes legislative interest in SORN to salient crimes against children, the results suggest that factors such as the percentage of a conservative population, district‐level competition, and state innovativeness accelerated the diffusion of innovation of the laws.  相似文献   
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This article uses the 1967 Ideal Home Exhibition in Accra as a window onto understanding connections between gender and consumerism in postcolonial Ghana. Drawing upon newspapers, comics and novels, it argues that the home was placed at the centre of national debates about economic recovery and political stability. Major goals of attracting Western investors and building Ghana's private sector simultaneously promoted conservative gender roles and restrictions on consumer behaviour. Cultural stereotypes targeting the consumption habits of women and youth intensified in the postcolonial period, masking larger issues like unstable wages, increasing foreign debts, high costs of living and government corruption.  相似文献   
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On the basis of stable carbon and nitrogen isotope analysis of human remains, this paper provides evidence for the retention of hunter–gatherer economies among coastal inhabitants in northern Chile during the late Holocene – at the same time that inland populations were adopting agricultural economies. Coastal diets from the Caleta Vitor region of the Atacama Desert were dominated by marine-based foods, predominantly from upper trophic levels. The focus on reliable marine food resources is interpreted as a risk minimisation strategy in this marginal arid environment. Although these coastal hunter–gatherers adopted other goods and traditions from agricultural populations, their participation in this larger interregional exchange network did not affect their basic subsistence economies.  相似文献   
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ABSTRACT

This paper analyses feelings of socio-cultural proximity and distance with a specific focus on the tourist experience in cross-border shopping and everyday life practices in border regions. We examined shopping practices of Dutch border crossers who visit the German town Kleve in the Dutch–German border region. This particular border context has allowed us not only to reflect on a multidimensional approach towards socio-cultural proximity and distance, but also to examine how these different dimensions express themselves in the tourist experience when it comes to people and places that are geographically ‘close’ but assumingly socially and culturally ‘distant’ from home. Although some differences prompted feelings of discomfort, in particular, differences in social engagement, feelings of comfort stand out in our analysis of cross-border shopping tourism. Furthermore, our study shows that shopping tourism and exoticism, on the one hand, and everyday routines and the mundane, on the other hand, are closely intertwined in the lives of people living in a border region, resulting in a fluid interpretation of the exotic and the mundane in the cross-border context.  相似文献   
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Heritage-making is discussed in this paper as it manifests in the South African museum space, specifically that of the Wildebeest Kuil Rock Art Tourism Centre in South Africa’s Northern Cape. This is an archaeologically rich site with the histories of diverse peoples having left impressions on the landscape. It is a relevant microcosm of South Africa’s past fraught with contending histories. The interpretive space at the tourism centre is an example of the hits and misses within the South African heritage landscape in terms of the practice of multivocality; that is, the co-existence of diverse perspectives and narratives. Discussing transformation and democratisation in the South African museum space, the paper highlights two main interpretive efforts at Wildebeest Kuil, the introductory film and the 31 Battalion military exhibition that show both the progress in decolonising the museum space as well as setbacks to that process.  相似文献   
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