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ABSTRACT

The subject of this article is the first extant topographical engraving of Meteora, the second largest monastic complex in Greece and one of the most spectacular landscapes in the world. This late eighteenth-century print combined cartographic principles with techniques traditionally used in Byzantine painting, which situates it within a broader vernacular Greek cartographic tradition. It can also be considered a mental map of the region as envisaged by eighteenth century monks, as well as a tool for advertising the region and its monasteries at a time of political and financial distress. As with any map, the engraving simultaneously concealed and revealed, masking difficult terrestrial conditions while showing pathways to heaven.  相似文献   
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The medieval discipline of the ars dictaminis (or dictamen), which flourished during the 12(th)-14(th) centuries, can be considered as an adaptation of classical Latin rhetoric to the communicational needs of the medieval society. Yet, although the relation between the teaching of the ars and its practice is an important one, it has rarely been addressed because of the persistence of numerous misunderstandings about the various different levels at which the ars was taught. This article offers some suggestions to fill this gap.  相似文献   
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