Musical constructions of nationalism: a comparative study of Bartók and Stravinsky

Abstract. This article argues that music, and in particular the history of music, can make a considerable contribution to the study of nations and nationalism and illustrates it by analysing Béla Bartók and Igor Stravinsky, relating these analyses to significant debates within theories of nations and nationalism. Within studies of nations and nationalism the article concentrates on the different interpretations of the term ‘construction’ expressed in the works of Eric Hobsbawm and Anthony D. Smith.     

The role of classical music in the construction of nationalism: a cross‐national perspective

This paper explores the role of classical music in the construction of nationalism in the twentieth century. It takes its point of departure in the Danish composer Carl Nielsen and analyses competing interpretations and receptions of his works. The paper seeks to move beyond the single case study. Hence, it includes three additional cases: the Soviet composer Dimitry Shostacovich (particularly the reception of his 5th Symphony); the position of Paul Hindemith in the Third Reich; and finally the development in Aron Copland's oeuvre. In so doing, it aims to clarify the relationship between classical music and nationalism.