Rationalizing the Irrational: Reza Attaran’s Popularity,Stardom, and the Recent Cycle of Iranian Absurd Films

Reza Attaran is one of the most successful stars of the Iranian popular cinema. This article explores the social circumstances, performative components, and political consequences of Attaran’s popularity and stardom, and the evolution of comedy and satire in the Iranian media after the 1979 Revolution. Analyzing the contextual elements and media texts over the last twenty-five years, the article argues that Attaran actively reflects a complex interaction between the social, political, and artistic demands of each period, best represented through his contribution to the television sketch comedies in the 1990s, and the lowbrow comedies and highbrow absurd films in the 2010s. The trajectory of Attaran’s stardom demonstrates the mechanism by which he serves the maintenance of the status quo.     

Translating the Self: Language and Identity in Iranian-American Women's Memoirs

In recent years, a number of Iranian American women have written and published memoirs of a return to Iran. One motif that these memoirs share is their concern with language as a key element of cultural identity. The article examines these memoirs as negotiations of identity through language. Relying on Joshua Fishman's anthropological definition of language and ethnicity as being, doing, and knowing, and on Taghi Modarressi's notion of “accented writing,” this article examines these writers in terms of their relationship to Persian as a key component of the self. As these memoirists narrate their journeys between Iran and the United States, they perform a translation of self across the boundaries of language. Some narrate an “accented identity” that celebrates hybridity; others acknowledge their assimilation into American society and into the English language. All attempt to reclaim Persian as an artifact, if not a medium of cultural belonging.