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Antonios Vratimos 《Symbolae Osloenses / auspiciis Societatis Graeco-Latinae》2017,91(1):159-169
The ability to extract fully the contextualized interpretations of Michael Attaleiates’ Historia is a rather difficult task without the parallel study of sources chronicling the same period. This article reconsiders Attaleiates’ justification for the division of the army by Diogenes before the battle of Mantzikert in 1071, and argues that the author is as critical of this emperor’s strategy as his close contemporary, Psellos, though his criticism is more subtly formulated. Another section discusses a gap in the narrative structure of the Historia and goes on to fill it with information derived from the Hyle Historias of Bryennios and from the chronicles of al-Bundari and Ibn al-‘Adim. 相似文献
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Antonios Vlassis 《International Journal of Cultural Policy》2016,22(4):481-496
This article addresses the importance of cultural industries for the strengthening of the soft power of the rising powers and it seeks to understand how the cultural industries allow rising powers to shape the structures of their international environment. More specifically, studying the cases of People’s Republic of China and of the movie industry, my article focuses on the current evolution of the relationship between the Chinese authorities and the film industry, as well as on the development of the domestic film market. I further aim to draw up an inventory of China’s role within the global governance of cultural industries. Finally, I aim to highlight the global cultural competition that China faces, emphasizing the practices of the US administration and Hollywood. I argue that even if China is the current centre of gravity within the world economy, it still has a long way to go in order to shape the distribution of resources within the global governance of cultural industries and to play a crucial role in the international battle of cultural symbols. 相似文献
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