Jute cultivation in the Lower Amazon, 1940–1990: an ethnographic account from Santarém, Pará, Brazil

The Amazon region has long been a place of economic booms and busts. Much attention in the historical literature on Amazonia has focused on the largest and most famous regional economic boom, the Rubber Boom, a period of sustained economic prosperity for some from 1860 to 1920. Other ‘booms’ have occurred in the region as well and this paper describes and discusses one of those others. The paper demonstrates how an export economy in a global periphery (coffee in Brazil) affected economic development in a periphery of that same country and makes a methodological contribution by demonstrating how ethnographic research can contribute to an understanding of a historical period when the paper trail is weak.Jute, a fiber crop, dominated agricultural production along the Amazon River floodplain in the reach between Manaus and Santarém, Brazil, from the late 1930s until the early 1990s. The crop was introduced to the region by Japanese immigrants in order to supply the demand for jute sacking in the south of Brazil where such sacks were used to package commodities, especially coffee. Local smallholder cultivators grew and processed jute, production being mediated initially through Japanese middlemen, later by Brazilians. Poor fiber quality, several external shocks, including the removal of tariffs on imported jute, and especially changes in commodity packaging such as bulk handling and the use of synthetic sacks instead of jute sacks for the transport of coffee beans, the Amazonian jute market collapsed in the early 1990s. Despite its collapse, the legacy of the boom is still evident in the physical and social landscapes in the region.     

The resurrection of the Inca: the role of Indian representations in the invention of the Peruvian nation

In the nineteenth century, after the separation from the Spanish Crown, the invention of the Andean nations required an autochthonous group, the independence of which could be celebrated. At first sight, it might seem that only the American Indians could play this role, but this idea rapidly ran into a fatal contradiction with the contempt for the Indians of the promoters of the new republics. In addition, it was necessary to build a new identity on many disparate elements to set oneself apart from European origins. In this manner, a suitable mythical autochthony has been invented, built on the image of the Imperial Indian, the descendant of the Incas. The indigenista movement of the 1920s has greatly contributed to the making of this national representation of Peru. This article traces the evolution of this tradition and its principal actors, and describes its underlying tenets. It attempts to picture recent neo‐Inca re‐inventions, especially the emergence of a ritual Inca king in the neo‐cult of the Sun, and the enthronement of the President of the Republic by shamans at the sacred site of Machu Picchu. Finally, it points at recent New Age extensions of this tradition. The article tries to show how mythological constructions of the past are instrumentalized to build the historical foundations of a present‐day nation, and how at the same time they are being taken over by a worldwide ideology.     

Sheep wool in Bronze Age and Iron Age Europe

This study presents the results of a series of wool measurements from Bronze Age and Iron Age skins and textiles from Hallstatt, and Bronze Age textiles from Scandinavia and the Balkans. A new method of classification that was set up and applied on mostly mineralised Iron Age material has now been applied to a large body of non-mineralised material from the Bronze and Iron Ages. Three types of microscopes were used and their advantages and disadvantages assessed. The results of the investigation cast new light on sheep breeding and fibre processing in prehistoric Europe, and suggest that different sheep breeds existed in Bronze Age Europe.     

Audience perspectives on the European dimension in Aarhus 2017 events: impacts of EU cultural policy

Abstract

The EU’s cultural policy of creating a recognisable, common European identity is exemplified by the EU’s cultural programme, European Capitals of Culture (ECOCs), whose official purpose is to highlight similarities and differences across European cultures to generate a greater sense of European identity among the citizens of Europe. To date, there has been little qualitative investigation of how ECOC attenders perceive the representation of European culture in the events and what they think about using ECOC events to promote Europeanisation. In this article, I use the methodology of intercept interviews at four Aarhus 2017 events to explore these two aspects. Findings indicate that the inclusion of European culture in Aarhus 2017 events often went unnoticed by the event attenders, and there was uncertainty about what European culture might actually comprise. Instead of perceiving ECOC events as promoting Europe, event attenders tended to interpret Aarhus 2017 events within a local, national or international framework, with ECOC events perceived as promoting tolerance and intercultural understanding. The findings are discussed in relation to the value of ECOC as a political-cultural initiative for generating European citizens’ identification with the EU.