Fictive Layering and Inversion in the Paintings of Ali-Akbar Sadeghi

In Iran surrealism is spoken of by artists and critics as a living element in art, long after its popularity in Europe and North America has waned. This article explores key features of the work of one of the most prolific contemporary Iranian artists, Ali-Akbar Sadeghi. While Sadeghi says that he thinks of himself as a “surrealist,” his work is distinguished from many self-professed surrealists in Iran: whereas the latter are concerned with representing metaphysical, even mystical, meanings, Sadeghi sees his art as a kind of intellectual exercise, presenting a dramatic theater in which the viewer engages in epistemological interrogation. Though Sadeghi's paintings are full of apparent references to surrealist themes and tropes from the past, here it is argued that his work is not so much a storehouse of surrealist content as a series of puzzles for the viewer to solve.     

“Art is a Sincere Martyrdom”: Circumventing Censorship by Encryption in the Work of Alireza Espahbod

This paper focuses on various aspects of Alireza Espahbod’s style of painting that encrypt his work. The period considered is from the just after the Iranian revolution until the artist’s death in 2007: in these years censorship had become severe, resulting in banning prohibition on his work being exhibited. Apart from the striking symbols that recur throughout his work, it is noticeable that he favors certain visual metaphors for encryption of humanitarian and satirical meanings. The discussion also focuses on the ways in which sequences of his individual paintings create narratives, like scenes in a play or a film. Unlike some preceding modernists, Espahbod is firmly rooted in his Iranian cultural milieu, and is in a line of artists who have used surrealism, beginning with Sadegh Hedayat in the modern literary world. He also follows a much older tradition that goes back to classical poetry and miniature art, in which image and word coalesce and are interchangeable, and where literature and visual art reflect one another. He uses these older techniques to comment allusively on the dramatic events and conditions of his own time. It is argued that his work amounts to more than that of an artist who merely fought against censorship, as his art rises above it and responds to it with a positive message for his audience.     

The Enduring Fear and Allure of Miscegenation: In Response to John Hobson’s The Eurocentric Conception of World Politics

This brief intervention challenges John Hobson's view in The Eurocentric Conception of World Politics that anti-miscegenation sentiments are a thing of the past in international relations theory. Rather, it is argued, anti-miscegenation continues to live in international practices, such as consociational peace agreements and “two-state solutions,” as well as in the persistent unwillingness of international relations scholars to actively embrace trespassing of borders, particularly of racial and cultural ones. Thus Hobson's erudite, epic work is both hopeful and not – built upon binaries and distinctions, devoid of grey zones, blind to gender and sex and their relations to racial difference and international hierarchies it provides few openings, few possibilities for alternative politics or even for serious contestation of the racialized status quo that we inhabit at the moment.     

Navigating the housing crisis: A comparison of international students and other newcomers in a mid-sized Canadian city

This article investigates the housing experiences of international students in comparison to other newcomers in the mid-sized Canadian city of St. John's, Newfoundland and Labrador, with a focus on how they navigate housing crises. Drawing on recent literature on housing justice, a quantitative survey of 188 participants, and 30 qualitative interviews, the findings reveal that international students and other newcomers are at different stages of their housing careers, have different needs and goals, and are experiencing the affordability crisis differently. Housing discrimination is a pressing concern, especially for international students who are subjected to intersectional prejudice, exploitation by landlords, and amplified challenges due to the COVID-19 pandemic. The article argues for inclusive housing and immigration policies that acknowledge international students as part of the Canadian housing market and ensure their rights to housing.     

Mitochondrial DNA studies of the Pazyryk people (4th to 3rd centuries BC) from northwestern Mongolia

The discovery and excavations in 2006 by joint Russian–German–Mongolian expeditions of the Pazyryk culture burial sites (4th to 3rd centuries BC, Early Iron Age, the Scythian period) in the Altai mountains of northwestern Mongolia near the Russia border provided new material for studying various aspects of these ancient peoples lives, including human, animal and plant remains. Ice accumulation in the graves preserved the human remains, allowing biological analysis of the samples. We conducted a genetic study based on mitochondrial DNA from remains of three Pazyryk culture representatives to investigate the possible genetic relationships of this Siberian Scythian group with populations of adjacent territories. These data support possible genetic contacts between populations of Altai and other Eurasia regions in the Early Iron Age, and are in good agreement with corresponding archaeological and anthropological data. However, a large-scale study of the Pazyryk population gene pool structure must be performed to further confirm these findings.