Citizen Emperor. Napoleon in Power

Abstract

The recent Italian elections have taken place under a new proportional system, but have confirmed and even strengthened the main trends already at work since the beginning of Italy's political transition. The center-left coalition has won by the slightest margin, thus ensuring the third alternation in power since 1994. The system's extreme competitiveness underscores its full-fledged bipolar format, the eclipse of center parties, and the continuing electoral stagnation and political integration of extreme left and right. These trends coexist with a party system fragmentation whose level is within the standard of other European systems of moderate pluralism and this fragmentation is, moreover, kept at bay by the coordination ensured by the majority bonus seats provided through the electoral law. At the same time, the main parties show persistently low levels of structural consolidation, that tend to hinder the stability and effectiveness of coalition cabinets. This problem might paradoxically have been sharpened by systemic competitiveness through a negative impact on coalitional discipline and the maximization of destabilizing effects of the smallest changes in electoral and parliamentary behavior.     

“Melismas medievales” en Concierto Barroco: enumeración y artificiosidad de Alejo Carpentier

The distinction between condensation, proliferation, and substitution defines, according to Severo Sarduy, the tenets of the Latin American neobarroque movement. This article, though sympathetic to the ideas of Sarduy, aims at clarifying the terms in which Alejo Carpentier conducts a recreation and evocation of the baroque movement in Europe and America. Taking Leo Spitzer's definition of chaotic enumeration as a focal point, it aims to clarify the mechanisms of literary composition in Carpentier. It argues that Carpentier's vision relies on an absolute yet universal and inclusive role of America in the shaping of the modern world.     

Medieval phases of settlement at Benabbio castle,Apennine mountains,Italy: evidence from Ground Penetrating Radar survey

The lack of written sources for many of the medieval castles in the northern Apennines (Italy) makes it difficult to completely establish the most ancient historical phases of these settlements. The church of San Michele belongs to an abandoned fortified settlement of the Castle of Benabbio, in the mountains surrounding Lucca. Thanks to an epigraph still visible on the façade, the church foundation is dated back to AD 1218. However, several archaeological findings at the settlement seem to suggest stages of encastlement that are older than the church foundation.     

From invisibility to visibility? The appropriation of public space through a religious ritual: the Filipino procession of Santacruzan in Padua,Italy

Mainly employed as domestic workers and care providers since the 1980s, Filipino migrants have been, and still are, largely invisible in Italian public space. Since 1991, once a year, on the last Sunday of May, they transform the streets of Padua, city of Saint Anthony, into their own temporary ‘sacred space’ celebrating the finding of the Holy Cross (Santa Cruz). Based on ethnographic research and in-depth interviews, the paper analyses the preparation of the ritual and the embodied performance as a means to interpret the Filipino local and transnational territorialisation in the Italian context. The discussion underlines how the Italian setting affects the relationship between the sacred and the secular and between majority and minority religions in the urban texture. Urban space being the symbolic arena where identity and the process of boundary making are inscribed, we consider public space as a social process constituted by three levels: accessibility, temporary appropriation and visibility. Drawing on this immigrant religious ritual, we apply this perspective to look at the interactions between local society and newcomers and the blurring boundaries between religious and non-religious in the ambiguous Italian public space.     

Developing a Heritage Database for the Middle East and North Africa

ABSTRACT

The Endangered Archaeology in the Middle East and North Africa (EAMENA) project based at the Universities of Oxford, Leicester, and Durham uses remote sensing to record archaeological and cultural heritage landscapes across twenty countries from Morocco to Iran and from Syria to Yemen. The project has developed an online heritage database built by adapting the open-source Arches heritage inventory platform developed by the Getty Conservation Institute and the World Monuments Fund. This paper discusses the process of customization of Arches v.3 adopted by EAMENA, particularly with regard to the development of new CIDOC CRM resource data models, reference data, and modifications to the Arches codebase.     

The Impact of Temporary Immigrant Workforce Growth on Employee Verification Policies in the United States

The U.S. Department of Labor admits temporary immigrant workers to address labor shortages in local markets. Yet, do elected officials make it less difficult for some immigrants than others to secure employment in a state? Using U.S. temporary immigrant labor admissions data between 2006 and 2014, I examine the extent to which growth rates of main foreign‐born subgroups influence E‐Verify policies that require employers to authenticate the legal immigration status of employees. I find that state policymakers are less likely to enact E‐Verify policies in response to the growth of immigrants who work in specialty occupations (H‐1b visas). In contrast, the growth of immigrants working in nonspecialty occupations (H‐2a and H‐2b visas) increases the likelihood of enacting E‐Verify policies over time. The results suggest that policymakers release strict rules for employment only for highly educated immigrants who work in specialty occupations that offer higher paying salaries and career advancement opportunities. Disaggregating a monolithic foreign‐born population indicator into more specific class components provides an important contribution to public policy studies. Scholars will likely overlook the contrasting effects of specialty and nonspecialty immigrant workforce growth on policy decisions relating to immigrant employment.     

Professor Camillo Negro’s Neuropathological Films

Camillo Negro, Professor in Neurology at the University of Torino, was a pioneer of scientific film. From 1906 to 1908, with the help of his assistant Giuseppe Roasenda and in collaboration with Roberto Omegna, one of the most experienced cinematographers in Italy, he filmed some of his patients for scientific and educational purposes. During the war years, he continued his scientific film project at the Military Hospital in Torino, filming shell-shocked soldiers. In autumn 2011, the Museo Nazionale del Cinema, in partnership with the Faculty of Neurosciences of the University of Torino, presented a new critical edition of the neuropathological films directed by Negro. The Museum’s collection also includes 16 mm footage probably filmed in 1930 by Doctor Fedele Negro, Camillo’s son. One of these films is devoted to celebrating the effects of the so-called “Bulgarian cure” on Parkinson’s disease.     

Memory in warfare: history as a destituent narrative

Abstract

To what extent may we consider historical writing a field of political tension? Could we make a plausible conceptual distinction between a constituent and a destituent narrative? According to Carlo Ginzburg – one of the proponents of ‘microhistory’ – historical sources are ‘distorting mirrors’, which let the truth shine through in an indirect way. Consequently, the good historian is the one who manages to grasp the ‘Freudian slips’ of history and fixes them in a coherent framework. Michel Foucault’s ‘political historicism’ seems to adopt the same historiographical approach: the most reliable witnesses of the past are the victims of the dominant power and the forgotten subjects of the constituent historical narrative. It seems to the author that Walter Benjamin and Simone Weil’s warfare writings share this destituent attitude towards historical representations. As far as Benjamin is concerned, the author’s hypothesis is that between the two world wars he radically redefines his notion of memory. With the apotheosis of the Nazi regime, he starts to conceive memory of the catastrophic past as the only possible input of an authentic revolutionary action. With a similar attention to collective memory, Weil goes through European history in order to deconstruct its principal political mythologies, from Rome to the Third Reich. Her purpose is to let the stories of the defeated re-emerge in order to show the history of violence that lies beyond the official representation of the past. In both cases, the main political aim is eventually to produce a destituent narrative of Europe that could serve as a guideline in the post-war period.