Antipodeans Abroad: Trends and Issues in the Writing of New Zealand Mission History

There has been a paucity of reflective and contextual analysis of New Zealand's historical involvement in the international missionary movement. This article suggests that existing literature falls into four categories: denominational/organizational histories; biographies and personal narratives; unpublished university theses; and a small body of more reflective and contextual works. Historical analysis since 1990 reflects wider historical discourses, rather than being the specific product of mission history. Valuable analysis has focused on women's involvement, culture contact, and the relationship between New Zealand missions, European colonialism and indigenous nationalist movements. Yet the theological nature of missionary involvement has been less extensively understood, obscuring the nuanced nature of things like missionary motivation and the relationship with colonialism. A lacuna still exists with respect to: a comprehensive and comparative analysis of post‐1945 missionary involvement; micro and macro‐historical analysis of missionary support; the gendered nature of missionary support; and the role of children and young people in missionary structures and discourse.     

COUNTRY HOUSE POEMS: THE POLITICS OF A GENRE

Abstract

The St. Louis Art Museum’s statue of Reclining Pan proved inspirational to many artists of the seventeenth century, none more so than Giovanni Benedetto Castiglione. The artist reproduced the statue in many of his works, making it a symbol of his invenzione. Previously, the few reproductions known of the statue have given the impression that Baroque audiences considered it antiquwct 2 e, and of less interest than other antiquities. This article corrects that assumption by examining Castiglione’s, as well as Peter Paul Rubens’, Joachim von Sandrart’s, Nicolas Poussin’s, and Salvator Rosa’s uses of the statue. The artists used the Pan as both figural exemplar and symbol for pastoral themes. These artistic responses are here set alongside new information concerning the Pan’s seventeenth-century provenance, display, and attribution to Bernini, to reveal the Reclining Pan as a primary catalyst for the period’s extensive Arcadian and bacchanalian imagery while simultaneously representing lessons of the classical style.     

Limits to Climate Change Adaptation: Case Study of the Australian Alps

Climate change is occurring and not being mitigated, motivating adaptation but adaptation strategies can have biophysical, economic, technological, and social limits. We review publicly available documents to assess how successful current and proposed adaptation strategies may be for the Australian Alps, including likely limits and potential collaborations and conflicts among stakeholders. Conservation managers, the tourism industry, and local communities have implemented or are proposing a range of adaptation strategies in the region. Some stakeholder strategies complement each other (e.g. invasive species control, fire management), while others are potential sources of conflict (water and electricity for snowmaking, year‐round tourism). Economic costs and biophysical constraints are the most important limits to these adaptation strategies. These types of limits and conflicts between different stakeholders on adaptation strategies are likely to occur in other regions and demonstrate that adaptation may only provide partial and short term solutions to the challenges of climate change.     

Globally and Locally Positioned: New Zealand Perspectives on the Current Practice of Religious History1

Religious history in New Zealand is now vigorously pursued by academic, public, and local historians. While there has been past neglect of religion in New Zealand historical scholarship, religious themes are now much more common in both writing and pedagogy. This article suggests that it is timely to take stock and to consider how religious history might be practised in the future. It argues that concerns about the place of religious history in New Zealand are mirrored by similar sentiments in the international literature. Cultural, imperial, and world histories provide new avenues for the pursuit of religious history. They also clearly indicate that religious history will have more to say to the wider field of history when it is strategically located at the intersection of “local” and “global” historiographies and methodologies. Using the example of a southern New Zealand urban parish, this article finishes by indicating how such a religious history might look.