Resurrection: who is it good for? The price of achievement at the London Hospital

The London Hospital, located in the heart of the East End, grew in tandem with the industrialization and increasing population of an impoverished area of the capital. It provided care and emergency facilities to employees of local industries amongst others. Archaeological excavations uncovered a forgotten burial ground for poor patients. Osteological and documentary evidence combined to reveal that many of the dead were first given to the hospital medical school for anatomical study. Human dissection no doubt contributed to scientific development within the medical profession, but the practice came with consequences that many at the time found unpalatable.     

COUNTRY HOUSE POEMS: THE POLITICS OF A GENRE

Abstract

The St. Louis Art Museum’s statue of Reclining Pan proved inspirational to many artists of the seventeenth century, none more so than Giovanni Benedetto Castiglione. The artist reproduced the statue in many of his works, making it a symbol of his invenzione. Previously, the few reproductions known of the statue have given the impression that Baroque audiences considered it antiquwct 2 e, and of less interest than other antiquities. This article corrects that assumption by examining Castiglione’s, as well as Peter Paul Rubens’, Joachim von Sandrart’s, Nicolas Poussin’s, and Salvator Rosa’s uses of the statue. The artists used the Pan as both figural exemplar and symbol for pastoral themes. These artistic responses are here set alongside new information concerning the Pan’s seventeenth-century provenance, display, and attribution to Bernini, to reveal the Reclining Pan as a primary catalyst for the period’s extensive Arcadian and bacchanalian imagery while simultaneously representing lessons of the classical style.     

Kingdoms of the Cameroon Grassfields

The three volumes considered here offer significant contributions to studies of African kingship and contribute to an emergent political anthropology of the Grassfields. Each adopts an approach on a sliding scale of emphasis on evidence and interpretation. Fardon takes a strongly evidence-based approach, reflecting recent methodological concerns in anthropology, which invites challenge and dialogue. Warnier presents an innovative methodological paradigm which emphasizes interpretation through observation of human action in engagement with material culture. Argenti takes the view that slave raiding underpins state formation and masquerades, and presents his own interpretations in that light. His approach resonates strongly with contemporary moral concerns about the Atlantic slave trade but lacks historical evidence.