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喬亞欽 《Revue de synthèse / Centre international de synthèse》2011,132(1):53-74
This article focuses on a drawing, regarded by 18(th)-century amateurs as a masterpiece by Michelangelo, and serves as a point of departure to illuminate the amateur's fascination with the artist's hand. This self-referential representation of the artistic process attracted much comment among connoisseurs. As virtually all amateurs had their say on the meaning of ? les mains de Michel-Ange ? the drawing sheds further light on the objects of desire which informed the amateur's discourse and the mediality such discourse needed in order to join word and image. 相似文献
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