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A failed effort at “reform from above” or a dramatic reassertion of “people power”? Almost thirty-five years on, studies of the Revolutions of 1989 continue to be framed by these two polarities. However, this historiographical focus has meant that scholars have often overlooked the actual content and character of protest itself. This article argues that one way of reinjecting agency and ideas back into our historical understanding of 1989 is through examining the chronopolitics of revolution: that is to say, by addressing how the control and interpretation of time became a political battlefield, a site of contention and negotiation, between Communist regimes, on the one hand, and political activists and society, on the other. Investigating events in the German Democratic Republic and Czechoslovakia, the article contains two central claims: first, that an interrogation of the concept of “chronopolitics” can provide a new angle by which to grasp the revolutionary character of “1989” and the democratic transformations that resulted and, second, by way of inversion, that a study of the temporal experiences across 1989 and the early 1990s can in turn shed light on the analytical value of “chronopolitics” more generally. 相似文献
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Éveline Pinto 《Revue de synthèse / Centre international de synthèse》1997,118(1):37-64
Did “the old character, so intelligent, so crazy”, evoked by Marcel Proust through Chardin’s self-portraits, depict himself in the projective mask of the wise man, in one of his most famous paintings, thePhilosopher of the Louvre? As the master of the still life wanted to rise in the hierarchy of the Academic ranks, he probably tried, in this early work, to make up for “this lack of training” in “the humanities”, through the representation of a character in keeping with current tastes, of a modern philosopher. A Philosopher, A Chemist in his laboratory, A Glass-Blower, or A Philosopher busy reading: is the painting of the Louvre (1734) an emblem? Our hypothesis, that this painting represents a chemist philosopher, not a quack or an alchemist, is constructed by comparing the painting with the lampoon entitledThe Philosopher, circulated, according to Voltaire, in the 1730s. 相似文献
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María Isabel Mota-López Rafael Fort Mónica Álvarez de Buergo Antonio Pizzo Rubén Maderuelo-Sanz Juan Miguel Meneses-Rodríguez Duygu Ergenç 《Archaeological and Anthropological Sciences》2018,10(5):1007-1022
The aim of this work is to characterize the original concrete from Roman buildings for public spectacles, theatre and amphitheatre, from Emerita Augusta, Mérida, Spain. An advanced knowledge of the Roman concrete composition is required for a reliable restoration and preservation of these ancient monuments. The concrete was studied through mineralogical (optical polarized microscopy and X-ray diffraction) and petrophysical (bulk and real density, open porosity to water and Hg, mechanical strength and ultrasonic velocity) analyses. With this work, it is possible to fill the gap that exists in this field and the characterization of the materials used in the Roman concrete from these two buildings, never previously studied, despite the significance of this archaeological ensemble, declared a World Heritage Site by UNESCO in 1993. The results allowed us to determine the composition of the Roman concrete and to infer the provenance of the aggregates used in these monuments. 相似文献
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Thomas E. Emerson Kjersti E. Emerson Kristin M. Hedman Matthew A. Fort 《Midcontinental journal of archaeology, MCJA》2019,44(2):149-180
In 1940, Gretchen Cutter and a WPA crew conducted excavations in the Mound Wio5 at the Fisher site in Will County, Illinois. We examined those materials as part of our reanalysis of the Fisher site excavations by George Langford and the University of Chicago. The mound’s material culture correlates with the Des Plaines phase but contains strong connections to the east, especially with Albee phase mortuary practices. Calibrated 14C dates and Bayesian modeling place the Des Plaines phase as contemporary with the Mound Wio5 mortuary’s primary use during the ninth to eleventh centuries. There is isotopic evidence of a mixed C3/C4 diet with some maize consumption. Mound Wio5 represents the only Terminal Late Woodland collective mortuary facility currently known in northeastern Illinois. The identification of such multigenerational communal Terminal Late Woodland mortuary practices lends support to the contention that they provided the cultural base for the emergence of the distinctive Langford Tradition accretional mortuary mounds. 相似文献
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Étienne Anheim Mathieu Thoury Loïc Bertrand 《Revue de synthèse / Centre international de synthèse》2015,136(3-4):329-354
This article aims at presenting the first results of a transdisciplinary research programme in heritage sciences. Based on the growing use and on the potentialities of micro- and nano-characterization synchrotron-based methods to study ancient materials (archaeology, palaeontology, cultural heritage, past environments), this contribution will identify and test conceptual and methodological elements of convergence between physicochemical and historical sciences. 相似文献
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GREGOR FEINDT FÉLIX KRAWATZEK DANIELA MEHLER FRIEDEMANN PESTEL RIEKE TRIMÇEV 《History and theory》2014,53(1):24-44
This essay takes up the call for a “third phase” in memory studies and makes theoretical and methodological suggestions for its further development. Starting from an understanding of memory that centers on memory's temporality, its relation to language, and its quality as a social action, the essay puts forward the concept of “entangled memory.” On a theoretical level, it brings to the fore the entangledness of acts of remembering. In a synchronic perspective, memory's entangledness is presented as twofold. Every act of remembering inscribes an individual in multiple social frames. This polyphony entails the simultaneous existence of concurrent interpretations of the past. In a diachronic perspective, memory is entangled in the dynamic relation between single acts of remembering and changing mnemonic patterns. Memory scholars therefore uncover boundless cross‐referential configurations. Wishing to enhance the dialogue between the theoretical and the empirical parts of memory studies, we propose four devices that serve as a heuristic in the study of memory's entanglement: chronology against time, conflict, generations, and self‐reflexivity. Current debates on European memory permit us to explore the possible benefits that the concept of entangled memory carries for memory studies. 相似文献
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Étienne Anheim Sylvain Piron 《Revue de synthèse / Centre international de synthèse》2008,129(4):481-484
Sans résumé
étienne Anheim est ma?tre de conférences en histoire médiévale à l’Université de Versailles/Saint-Quentin-en-Yvelines. Ses
recherches portent sur les formes de la culture savante (peinture, musique, littérature) à la fin du Moyen ?ge, et sur leurs
relations avec les cours. Il a récemment publié ?La Chambre du Cerf. Image, savoir et nature à Avignon au milieu du xiv
e siècle ? (Micrologus, vol. XVI, 2008, p. 57–124).
Sylvain Piron est ma?tre de conférences à l’école des hautes études en sciences sociales. Ses recherches portent sur différents
aspects de l’histoire intellectuelle du Moyen ?ge central, de la pensée économique des scolastiques à l’ecclésiologie des
franciscains spirituels. Il vient de publier ?Le poète et le théologien: une rencontre dans le studium de Santa Croce ?, dans Jo?l Biard et Fosca Mariani Ziani, éd, Ut philosophia poesis. Questions philosophiques dans l’écriture de Dante, Pétrarque, Bocacce (Paris, Vrin, 2008, p. 73–112). 相似文献