春秋时期祭祖范围研究

祭祀祖先的范围,即仪典中祭祀哪些祖先,不但是祖先崇拜的基本问题,并且还折射出生者与祖先之间的关系,以及人们对家族、血缘的认知等等。春秋时期是社会变动较为剧烈的时期,在这一变化的时代,祭祀对象发生若干变化,祖先崇拜也展现出新的特点。总体而言,春秋时人重视近祖,也注重远祖,在选择所祭对象时,春秋时人以满足现实需求为目的,祭祀祖先有其灵活的一面而并无统一的标准。可堪注意的是,春秋时人擅于追溯远祖,春秋金文中出现了对祝融、成汤等远祖的追记,而不再如西周时人一般只将祖先追踪至文王武王时代。此外,春秋时人对于英雄祖先十分崇拜,并将这一风尚提升至礼的高度予以阐述。春秋时人追忆远祖,对儒家"慎终追远"的观念有深刻的影响;春秋时人崇拜英雄祖先,对于这一时期人们创造出共同的英雄祖先有直接的影响。     

Implementing the Regulation on Places of Worship in Indonesia: New Problems,Local Politics and Court Action

This article examines the local implementation of the national Joint Regulation 2006 on places of worship in Indonesia. It focuses on the case study of the Protestant Christian Batak Congregation, which became one of the first churches to successfully challenge the authority of a local leader to cancel its permit to build a church. I begin by exploring the history of the regulation of permits for places of worship in Indonesia and the various proposals for law reform that have been put forward since 1998. I then outline the provisions of the new Joint Regulation and highlight the ongoing problems for religious minorities at the local level because of the failure of local authorities to implement the national regulation. I will demonstrate how religious minorities are challenging the decisions of local authorities by complaining to independent watchdogs, taking court action and using the political process. In conclusion, I argue that the Protestant Christian Batak Congregation court case is part of a broader trend for local authorities to use conflict over places of worship as an opportunity for political gain in the highly competitive political atmosphere since the downfall of Suharto in 1998.     

试析铜鍑器耳突起装饰的象征意义

当中国北方草原地带的历史跨入公元前第一个千年后,由于种种的原因,发生于新石器中晚期的农业扩散对北方地带的深远影响渐渐终结。主要由于气候变化的原因,此前已渐变为畜     

大汶口文化陶符新解

本文主要通过民族学和考古学两方面的资料对大汶口文化的陶符进行重新解释,认为它们是借男女生殖器的外形特征以表男女交欢的意符。这种刻划符号是人类对生殖崇拜的表现。     

江户时代日本史学中的早期民族主义

本文对江户时代日本史学著作的文本进行解读,分析存在于日本史学中的早期民族主义,将其归为华夷观变化滋生民族主体意识、神国思想、尊皇意识三种形态,力图证明日本的早期民族主义源自其思想内部,而非外来殖民危机。     

"女帝世纪"成因探析

七、八世纪是日本历史上的一段重要时期。这一时期,女性登上了日本的政治舞台,并且在长达两百年的时间里,共涌现出了八代六位女天皇,该时期也被称为"女帝世纪"。那么"女帝世纪"这一独特历史现象的出现是巧合,还是必然?本文拟以"母性崇拜"情结为核心,从日本的继承制度、神话传说、婚姻制度等角度对"女帝世纪"的成因做尝试性的分析。     

Duty to God/my Dharma/Allah/Waheguru: diverse youthful religiosities and the politics and performance of informal worship

This paper draws on a case study of the Scout Movement in the UK to explore the everyday, informal expressions of ‘worship’ by young people that occur outside of ‘designated’ religious spaces and the politics of these performances over time. In analysing the explicit geographies of how young people in UK scouting perform their ‘duty to God’ (or Dharma and so forth), it is argued that a more expanded concept of everyday and embodied worship is needed. This paper also attends to recent calls for more critical historical geographies of religion, drawing on archival data to examine the organisation's relationship with religion over time and in doing so contributes new insights into the production of youthful religiosities and re-thinking their designated domains.     

The Material Nature of the Radiance of YHWH and its Theological Implications

Abstract

Kābôd-YHWH is a technical term designating the radiance of the god of Israel. Such a phenomenon is specifically identified in the Bible with three physical realities: volcanic lava, solar activity and molten metal. The antique representation of the sun as molten metal, and the volcanic symbolism of the furnace reveal that these three expressions of kābôd-YHWH are interrelated. Among them, it appears here that kābôd-YHWH refers first of all to molten metal. This introduces a fundamental difference between radiance, specifically related to YHWH through molten metal, and brilliance (and by extension glory, wealth, strength and vitality) of gods and mortals derived from properties of solid state metals. Beyond the status and powers of supreme deity conferred by this metallurgical radiance, identification of kābôd-YHWH as shapeless molten metal also clarifies the origin of one of the most singular characteristic of ancient Yahwism: the strict interdiction of figuration of the god.     

柬埔寨华人的土地和祖灵信仰——从“关系主义”人类学视角的考察

论文基于田野调查的结果,从人类学家王铭铭先生提出的“关系主义”人类学的视角,考察了柬埔寨华人的社区、家庭和坟地的土地神和祖灵信仰的内涵与功能,分析了柬埔寨土著文化与佛教、印度教和华人信仰等外来文化之间,内外之别、上下等级、差异和关联、延续与变迁这四对关系。认为任何宗教或文化现象都不是封闭地自我生成,而是在与他者的关系中形成。每一种文化总是处在许多其他文化组成的更大范围的场域中,在彼此的参照、混融和冲突过程中形塑自身。     

Diverse Strains: Music and Religion in Dickens's Edwin Drood

Music in Dickens's final and unfinished novel, The Mystery of Edwin Drood, shares in the lethargy affecting traditional English community. That life has become stagnant in Cloisterham, the ancient city in which the novel is set, is nowhere more evident than in the desultory choral worship offered in its cathedral. Yet the unevenness of Dickens's writing in Edwin Drood does not make for consistency, and discrepancies in plotting extend to the musical occupations of its protagonists. By considering Edwin Drood alongside the shifting fortunes of choral music in Victorian Britain, this article focuses on what such discrepancies reveal about Dickens's notion of the place of religion in social renewal. Habitual forms of life in Cloisterham, such as the choral service of its cathedral, are being overwhelmed by marginal presences, arriving from the imperial East, but they may also give voice to a future revival. Something of the changeability in Dickens's feeling for established religion can be glimpsed in this duality.