El purgatorio de un dictador: Crisis,memoria y narrativas iconoclastas

ABSTRACT

In the autumn of 2005, the museum of Vilafranca del Penedès (Catalonia, Spain) programmed a cycle of cultural events in order to commemorate the thirtieth anniversary of Francisco Franco's death. Among them, the performative one-piece exhibition Listen, Franco! The Purgatory for a Dictator showed a bronze sculpted bust of the dictator (belonging to the museum collection) and invited citizens to freely participate and “tell to him” all they would have liked to say if they had had the opportunity to. The unusual shape of the event and the high level of participation made the exhibition become a media success. However, a last-day surprising performance experience—as a result of which the bust was “vandalized” or, should I better say, “re-signified”—became a source of reflection about the boundaries between preservation and transmission of cultural heritage, as well as about museums as places for collective elaboration of public memory. This case appears as a catalyzer of a cultural crisis that exploded after 2008, and a prefiguration a new exhibition around another sculpture of the dictator, which took place in Barcelona in 2016.     

The Past under the Shadow of the Present: The Case of the National Museum of Korean Contemporary History

The National Museum of Korean Contemporary History, which opened in 2012, has been the focus of a heated controversy between the progressive and conservative camps over the “proper” ways to represent South Korea’s turbulent history. I build on the relationship between heritage, collective memory and national identity, and argue that the division that typifies South Korean society has implications that extend beyond socio-political issues. Anchored within a broader discursive context, the museum became an important memory carrier involved in the process of debating the issue of national identity. Although no agreement has been reached regarding the “proper” historical narrative the site should exhibit, the museum has nevertheless offered an opportunity to shape a form of national identity that can embrace a more complex perspective on the country’s contemporary history. At present, though, this contentious site has demonstrated the extent to which the legacy of the conservative–progressive divide remains deep. I offer a discursive context that is useful for the study of current debates over heritage sites in South Korea, while the overall analysis illuminates the idea that the “present-centred” management of heritage in national museums can, potentially, play a part in the process of forming more intricate notions of national identity.     

贵州基本建设考古初探

基本建设考古是当前考古工作的重要组成,在国家经济建设大背景下,是一项长期艰巨的任务。本文对贵州基本建设考古历程、成果、状况进行梳理,提出问题与对策,力促此项工作顺利开展。     

博物馆数字化科普平台建设

建设博物馆数字化的科普平台,加强了对馆藏文物的保护能力,促进了博物馆的历史文化教育和传播功能,具有重大的现实意义和深远的历史意义。本工作将介绍其构建方法:采用全景拍摄、三维扫描等数字化信息采集技术,对博物馆建筑的内外景、重点馆藏文物进行信息采集,构建虚拟的历史遗迹遗存、网上博物馆,将实体博物馆以数字化方式完整呈现,通过互联网/移动互联网提供身临其境的虚拟参观服务;采用二维码、电子标签、混合定位等技术,为现场观众提供自助音视频文化科普导览服务;策划制作面向广大青少年的反映中国历史文化遗产的4D影视科普作品及建设面向普通观众开放的博物馆4D动感影厅工程播放系统,以此构建博物馆数字化科普平台。     

国家文化公园:理论溯源、现实问题与制度探索

"十三五"以来,我国文化遗产保护事业进入新阶段,但是文化遗产管理体系复杂、多头管理、权责不明等问题一直未得到解决.因此,国家文化公园建设过程中,应首先理顺国家文化公园与既有遗产保护体系之间的逻辑与关系,建立以重大文化遗产为主体的国家文化公园体系;以保护传承为首要目标,构建统一规范高效的国家文化公园管理体制;突出国家代表...     

历史观与意识形态:世界历史叙事中的现代化理论

作为世界历史叙事的一种范式,现代化理论不仅体现了一种历史观,也展示了其意识形态的特质。现代化理论的意识形态功能包括：解释功能、压制宣传功能、整合和激发功能以及合法化功能,这些功能使世界历史叙事充斥着偏见与“公允”、“真理”与权力、压制与整合等悖论。这种悖论在历史观层面,则凸显为现代化的“历史观”和历史观的“现代化”二者之间的张力。只有克服二者之间的张力,才能超越现代化的“历史观”的局限,才能使历史观的“现代化”成为一种世界历史叙事的实践理念。     

中朝日近代世界秩序观的形成与外交取向比较研究

19世纪中后期,西力东侵,维系原来中国、朝鲜和日本三国关系的条件发生了变化,东亚地区三个古老的国家开始相继实现对外开放的历史进程。三国在向近代外交迈进的过程中表现出不同的姿态。中朝两国的统治者都不能以对世界变局的正确认识以及健康的心态迎接来自西方的挑战,融入新的国际秩序。只有日本在新的形势面前适时摒弃传统的世界观,以近代世界观看待东亚秩序问题,进而建立一个以日本为中心的东亚新秩序。三国在19世纪中后期不同的外交取向,与其是否能够与时俱进,形成近代世界秩序观有着直接的关系。     

Rock Art Conservation and Tourism

Rock art conservation has developed hand-in-hand with the increased pace of tourism, yet the two activities tend to remain in opposing camps. Policies and guidelines have been developed for cultural heritage and cultural tourism and there is a widely accepted range of principles in place, but a theory of sustainable rock art tourism is only in its infancy. To mature, the discipline needs research into the interaction of key elements that affect the long-term conservation of frequently visited rock paintings and engravings in their original setting, as well as consideration of social and economic factors that drive tourism and the public interest in rock art.     

Down Little Lon: An Introduction to the Casselden Place Archaeological Excavations, Melbourne

In 2002 Melbourne’s Casselden Place excavation provided a window into the urban past opened by an innovative relationship between the development industry, heritage consultancy and La Trobe University. The project demonstrated that with the support of consent authorities and the co-operation of the development industry, collaborations between the academic world and heritage consultants could be highly successful. The Casselden Place Project made a significant contribution to the ‘slum debate’ in Australia and delivered an enhanced understanding of the cultural, social and scientific significance of an inner-city block, and shed new light on a notorious chapter in the city’s history.     

新世纪以来中德世界城市全球化模式对比分析

城市全球化逐渐从跨国资本主导下的单一化模式向国家特性作用下的多元化发展转变。本文对比分析了新世纪以来中国和德国世界城市全球化的过程、格局、规模、产业和动力,揭示出国家特性作用下的差异化城市全球化模式。结果表明：①中国城市全球化起步较晚但发展迅速。②中国世界城市呈现“大分散,小集聚”的格局,全球化要素具有分散化趋势。③中国世界城市经济的总量大但平均规模小,企业总部集中分布于北京。④中国世界城市一、二次产业产值比重大,金融地产、社会公共服务业和总部经济发展滞后。⑤中国城市全球化是国家政府主导下依托跨国投资生产并出口初级工业品的被动全球化,未来须发挥高级生产者服务、研发服务和社会服务的动力作用。