On the shock of civil war: cultural trauma and national identity in Finland and Ireland

What role does national identity play after civil war? Is reconstruction possible on the basis of an existing identity, or does a new identity have to be found? Much depends on whether narratives of conflict are unifying. I use the tools of cultural sociology to explain why the Finnish Civil War of 1918 has become a unifying ‘cultural trauma’ for the Finns, whereas the Irish Civil War of 1922–23 never became the dominant referent in Irish national identity. The difference is explained by the greater shock civil war posed to Finnish national identity.     

An Automatic Modal Identification Procedure for the Permanent Dynamic Monitoring of the Sanctuary of Vicoforte

ABSTRACT

The interest in automatic modal parameter extraction techniques has increased significantly in recent years because of the rising demand for Continuous Structural Health Monitoring (CSHM) of civil structures and infrastructures. The wider use of CSHM is related to its capability for early damage detection and therefore to its usefulness for planning maintenance and strengthening interventions. This article presents the main steps followed in creating a robust routine to run on an online basis the first-ever Continuous Vibration-Based Structural Health Monitoring (CVB-SHM) of a large masonry oval dome, i.e., the dome of the Regina Montis Regalis Basilica, also known as Sanctuary of Vicoforte. The procedure uses an output-only stochastic subspace identification method complemented by an automatic analysis applied to identification results, which are typically provided in terms of stabilization diagrams. In this study, the fully automatic procedure also includes a hierarchical clustering algorithm to separate authentic from spurious modes.     

Of Makerspaces and Hacklabs: Emergence,Experiment and Ontological Theatre at the Edinburgh Hacklab,Scotland

This paper commences a geographical engagement with makerspaces, hacklabs, and other workshop spaces which form part of a broader ‘maker movement’. It examines the arts of inquiry and experimentation found at one such site, drawing on ethnographic field work at the Edinburgh Hacklab, and makes connections with emerging themes of interest to geographers, including creativity, experiment, art, and nonhuman agency. Putting standard innovation-driven narratives of makerspaces into question, attention is instead turned to the events of emergent experimentation and creativity taking place in these spaces. To this end, Andrew Pickering’s concept of ‘ontological theatre’, describing powerful focal instances of agential symmetry between humans and nonhumans, is engaged with, in order to understand the links between Hacklab activities and emergent and complex aspects of nonhuman agency.     

Ceramic Production and Interaction in the Northern Range of Trinidad

Regional syntheses based on data recovered mostly from outside of the Northern Range have characterized the mountainous region in northern Trinidad as a boundary between two distinct interaction spheres during the Early Ceramic Age (ca. AD 350–650/800) (Boomert 2000 Boomert, A. 2000. Trinidad, Tobago and the Lower Orinoco interaction Sphere: An Archaeological/Ethnohistorical Study. Alkmaar: Cairi Publications. [Google Scholar]). Changes occurring on Trinidad, other islands of the southern Lesser Antilles, and the South American mainland resulted in the disintegration of these earlier style zones during the final centuries of the Early Ceramic (Boomert 2000 Boomert, A. 2000. Trinidad, Tobago and the Lower Orinoco interaction Sphere: An Archaeological/Ethnohistorical Study. Alkmaar: Cairi Publications. [Google Scholar], 2010). This period of Late Ceramic cultural realignment was characterized by climate change, the renegotiation of political and social networks, and demographic transformations. We consider newly recovered ceramic evidence from the central Northern Range in order to evaluate the characterization of the region as a boundary and the region's role in broader Caribbean trends. We examine participation in interaction spheres to provide a more nuanced understanding of regional dynamics as they were expressed locally. Ceramic data indicate that occupants of the central Northern Range interpreted regional styles using locally derived materials, thus simultaneously engaging regional traditions and constructing local patterns of resource exploitation.     

Assessing the contribution of cultural agglomeration in urban regeneration through developing cultural strategies

The recent discussion regarding contemporary urban regeneration has underlined the increasing role of art and cultural agglomeration as an essential part of a progressive agenda for local development. In fact, there is a good deal of literature which is related to specific and finite cultural strategies. Although scholars, in some cases, may suggest other perspectives, their value narrows to a comprehensive evaluation regarding the possible interpretation of cultural agglomeration in respect of urban regeneration. Accordingly, this study, by using an interdisciplinary systemic approach based on the clustering of cultural carriers, developed the cultural strategies under a six concepts scheme. The study then, through developing a method based on modes and development approach of cultural agglomeration, recategorized the six mentioned strategies into three major categories of cultural strategies, to find out their contribution in the process of urban regeneration. Overall, the study revealed the extent of cultural agglomeration as a method of developing cultural strategies in urban regeneration.     

Power to the people: when culture works as a social catalyst in urban regeneration processes (and when it does not)

This article focuses upon the relationship between culture, urban regeneration schemes, and their impact on socio-cognitive assets – namely, social and human capital. It examines three major urban regeneration projects in the districts of Saint Michel (Montreal, Canada), Auburn (Sydney, Australia) and Bicocca (Milan, Italy), where culture has been invoked as a main transformational driver at the economic and socio-environmental levels, but with different approaches and results. Through comparative analysis, we develop a more general reflection on the social impact of culture-led urban transformation processes, questioning the actual role of cultural initiatives – particularly those related to the creation of new cultural facilities and the programming of big cultural flagship events – and participation as a means to improve the local social milieu. We find that a key role for social efficacy is played by projects’ capacity to elicit the commitment of residents through inclusive cultural participation, as opposed to instrumental top-down initiatives mainly addressing city and neighbourhood branding and real estate marketing purposes.     

From folk history to empathy: contesting heritage values in Chinchero,Peru

In the small Peruvian, Quechua-speaking town of Chinchero, processes of heritagization of the Pre-Hispanic legacy encouraged by the State and supported by the tourist industry have been trying to create among the population an obligation of historical and emotional identification with their Inca ancestors. This operation has been mainly effected through the territorial transformation of the vernacular space of the Inca ruins into an archaeological site for tourism consumption. The operation has left out other histories grounded in grassroots events, like the struggle for the land against the abusive landowners that took place during colonial times. More than the distant history of the Incas, it is this kind of more recognisable and meaningful folk history what people remember the most and what largely constitutes the fabric of social memory in Chinchero. It is precisely folk history what forms the basis for local heritage values that, unlike what happens with the Inca remains, express intense affective ties with the physicality of other non-archaeological spaces. In light of these developments, the author explores how the people of Chinchero are contesting official versions of heritage and history by foregrounding the emotional power of their own heritage values.     

Rethinking architectural heritage conservation in post-disaster context

This paper aims to contribute to the understanding of architectural heritage and its conservation in a post-disaster context by taking into account the interrelationship of form and function. To do this I borrow from the work of Laurajane Smith who argues that heritage is a cultural process linked to activities of remembering and identity formation. This definition requires us to move beyond the idea that heritage is merely tangible and asks us to acknowledge the importance of uses of material culture. Thus, I argue that the relationship between form and function should be central in understanding architectural heritage. The paper examines these issues with particular reference to examples from Banda Aceh post the 2004 Tsunami Disaster and, to do this, borrows some methods from architectural anthropology. The paper argues that the traditional architectural conservation practices, including adaptive reuse, that stress the importance of building forms should be expanded. Thus, the paper offers the idea of adaptive re-form or redesign where function is privileged to the extent that material form may be altered to accommodate the resurrection of traditional uses. This is practically important in post-disaster contexts and Southeast Asian cultural contexts, where materiality is viewed as impermanent.     

Commemorative events at destination memorials – a dark (heritage) tourism context

In the past, sites and events related to war and atrocities were viewed in the wider context of heritage tourism. The term ‘dark’ was added with the aim of recognising heritage sites closely related to death and suffering. Given that commemorative events as part of dark heritage are not prevalent in heritage and tourism literature, there is a need to understand the behaviour of visitors involved in visiting these sites or attending this type of event, which presents a special challenge. Public commemorations, especially those that mark particularly disturbing occurrences, such as ‘The Great School Hour’ – an event which is presented in the artistic form of a ‘school class’ – are unique form of tourist activity that has not been thoroughly investigated previously. Thus, the aim of the study is to explore the influence of the main motivators on revisit intention and willingness to recommend for those who attended the commemorative event ‘The Great School Hour’ in Kragujevac, Serbia, with a particular focus on younger people. The results suggest that learning, emotional response and uniqueness have a significant positive effect on revisit intention, while emotional response and uniqueness have a significant positive effect on willingness to recommend.     

Chinese popular music as a musical heritage and cultural marker of the Malaysian Chinese

Chinese popular music, inspired by pre-war Shanghai music known as ‘shidai qu’ (时代曲) (songs of the era) and evolving to include Canto pop and Taiwanese Mandarin songs, has always been popular among the Chinese in Malaysia. This music is featured on radio, television, karaoke, and performed by orchestras such as the Dama Chinese Orchestra (大马) to enthusiastic reception. The songs have a broad appeal that transcends time, generation, and place. Of significance is the observation that the music has become a cultural marker and musical heritage for Chinese in Malaysia and in the region. The paper looks at factors behind this development.