胡家草场汉简与尹湾汉简数术文献中的“刑德行时”

荆州胡家草场12号汉墓出土竹简《五行日书》按端、令、罚、刑、德五时占测为事、初病、生子诸事项的吉凶。这篇文献与尹湾汉墓出土的《刑德行时》大体属于同一文献的不同版本,两相比照,有助于加深对其文本源流、内涵的理解和认识。     

顾维钧与中国留美学生会

1904—1912年顾维钧留学美国期间,积极参与中国留美学生会的各种活动,担任过东美中国留学生会会长及其他多项职务,并主编过《中国留美学生月报》,对中国留美学生会的组织发展和各项事业做出了重要贡献。他参与中国留学生会及其他各种社会活动,锻炼和提高了自身能力,积累了广泛的人脉关系,为他的从政生涯奠定了良好的基础和起点。     

A reexamination of the reasons for the closure of the Dunhuang Library Cave

Abstract

Cave 17 or the cave library is located on the northern wall in the hallway of Cave 16 in Mogao Caves, Dunhuang. The murals on the cover layer of Cave 16 are closely connected with the reason why the cave library was sealed. The transformation tableaux of the thousand Buddhas on the cover layer of Cave 16 seems to reflect the thought of the Final Dharma, which could be dated in the late Guiyijun period when Dunhuang was ruled by the Cao family. In 1052, the trend of the Final-Dharma thought flourished in the Liao Dynasty. With the frequent communications between the Guiyijun regime and the Liao, this trend came to Dunhuang and merged with the original thought of the Final Dharma in this region, which tremendously impacted the Buddhist community in Dunhuang. So the local Buddhist community made the transformation tableaux on the mural of Cave 16 and also transformed Cave 17 for storing Buddhist texts as a response to the coming Final Dharma. These activities seem to have led to the eventual sealing of Cave 17.     

商末黄河中游气候环境的变化与社会变迁

新石器时代到商代黄河流域的气候属于温暖湿润期;商代后期气候出现厂干旱化,导致了古公亶父迁岐,文王迁程迁丰,帝乙帝辛时不断向南方发展;而商末的旱灾和饥荒是周武王克商的直接导火索,导致商周之际的改朝换代。商末气候环境的变迁对其时社会政治的影响极大。     

1850-1880年越南社会整合情况之分析

近代越南社会的政治制度日趋僵化和阮氏王朝统治者的因循守旧 ,历史上固有的家族和村社制导致了狭隘的价值利益观的形成 ,基督教在越南的传播和发展而滋生出的新的矛盾和冲突 ,这些因素交相并织 ,妨碍了近代越南社会的整合 ,加剧了封建制度的危机 ,引起社会的急速衰退并最终沦为法国的殖民地     

Selective woodland exploitation for charcoal production. A detailed analysis of charcoal kiln remains (ca. 1300–1900 AD) from Zoersel (northern Belgium)

A detailed study of charcoal burning activities has been made for the Zoersel forest (Northern Belgium) based on an inventory of charcoal kiln remains, the analyses of wood charcoal and other charred botanical macroremains and radiocarbon dating of 10 of these kilns. Age determination of the youngest kilns was refined by dendrochronological analysis of trees growing on top of these kiln sites. The results show that, although many kilns were found, charcoal was produced in Zoersel only at certain moments during late and post-medieval times suggesting that charcoal burning was not a part of the regular management practice of these forests. The wood used for the production of charcoal mainly consists of taxa of alluvial (alder) forests while the kilns are situated on sites that currently are rather dry, with an oak dominated vegetation. For the older kilns, this contrast could be explained by an important change in local soil conditions. The younger kilns may be related to the conversion of alder woodland to grassland in the lower parts of the domain, with the kilns being constructed in the nearby dryer woodland areas.     

Identifying of buried archaeological remains with ground penetrating radar,polarized microscope and confocal Raman spectroscopy methods in ancient city of Nysa,Aydin – Turkey

The aim of this study was to image buried remains and appoint buried Hellenistic street system, and identify minerals and rock types of the ancient city of Nysa, one of the most important historical sites of Turkey. This study used polarized microscope and confocal Raman spectroscopy (CRS) ground penetrating radar (GPR) method, to identify the buried remains, rock types and minerals.     

三年经济困难时期的紧急救灾措施

1959～1961年三年困难时期,党和国家认真总结经验,注意纠正错误,全力领导人民进行了救灾斗争,采取了精简城市人口、降低粮食征购量、紧急调运和进口粮食、节衣缩食"瓜菜代"、提高粮食收购价、大办农业等一系列措施,逐步扭转了局面,保持了社会秩序的相对稳定。     

高拱《病榻遗言》考论——与赵毅教授商榷

赵毅教授撰文提出,张居正倒台原因中包含高拱权谋"因素",此说值得商榷。本文认为:《病榻遗言》刊刻问世于万历三十年至三十一年之间,不在万历十年至十二年之间,故与张居正身后罹难无涉;该书是高拱对隆庆六年正月至万历元年二月之间发生的诸多政治事件的真实记录,并非不实之词;该书是当事人记述的回忆录,绝不是"为其身后报复政敌"的所谓"政治权谋"、"巧妙政治设计",因而不可能影响到万历十年以后的明代政局。     

一个展览和一个时代——“明永乐宣德文物特展”设计综述

"明永乐宣德文物特展"是一个全面展现明早期艺术的综合性文物大展。展览的最终目的是要激发大众对传统艺术的兴趣,令其得到文化的熏陶与艺术的启迪,因此,展览陈列设计所要考虑的是一个多层次的体系。首先提炼装饰元素作为视觉主题,将艺术品的美感尽可能展现给观众,同时还要向观者传递时代背景、皇帝的思想境界等信息。此外,设计者还精心挑选不同的装饰材料以营造新颖的展示环境,达到衬托文物高超工艺水平的目的。