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61.
日本泉屋博古馆收藏并展示的我国早年流散到海外的部分先秦青铜器,是中国先秦文化不可缺少的重要内容之一。商青铜私文书只是先秦私文书的一部分,并非是我国最早的私文书。“九五”期间国家重大科研课题“夏商周断代工程”的某些研究成果表明,商以前就已有文书记录产生,如再加以考古出土实物印证,夏就有可能是先秦私文书的起源时期,为此,笔者将商只作为中国青铜私文书的兴起阶段。 相似文献
62.
本文分析了隋代书法在中国书法史上承前启后的特殊状况,指出隋代北方铭刻的主要成就是逐渐摆脱了前朝篆隶书体而形成了楷书书体,南方的纸书在跃出章草畦径的过程中初步酝酿出草书的章法,楷书已成熟定法。“书”之所以能够有“法”并且成为一门高雅的艺术,是因为隋代完成了“普法阶段”,最好的例证就是智永和隋贤的存世之作。 相似文献
63.
略论晚清汉学的兴衰与变化 总被引:4,自引:0,他引:4
晚清时期,兴盛于乾嘉年间的清代儒学主流学派-汉学-尽管走上衰落的道路,但这种衰落并非直线性地下降,而是经历了一个较长的曲折变化的过程。自鸦片战争到中日甲午战争长达半个多世纪的时间里,汉学依然是中国学坛人多势众、著述丰富、分布广泛的强势学派,居于学界“老大”的地位。晚清汉学家们秉承乾嘉宿儒治学传统,在经学、小学、音韵学等领域开展深入研究,取得显著成就,甚至在某些方面直驾乾嘉而上。晚清汉学因处于与乾嘉汉学完全不同的社会环境,形成“实”、“通”、“变”的历史特征,并随着中国传统社会发生根本性的变化而实现着自身的新旧更替。晚清汉学既沿袭了传统儒学的许多消极因素,也包含着其中的积极成分,对中国近代社会文化产生了复杂而多重的影响。 相似文献
64.
小说《行云》写的是一位上京求学后又返回故里的青年的故事。青年的情感经历揭示出了由甲州大藤村至东京的空间距离。文中衬以路途之险,反映了作者对当时甲州人呼吁中央线铁路建设的关注和声援。同时,作者还以“战争画”等小道具明示了小说时间与创作时间的一致性,进而虚拟了青年归乡后的数年时间,以两者暗喻了狂热一时的甲午战争对于普通民众来说毫无意义。 相似文献
65.
The Multifunctional Transition in Australia's Tropical Savannas: the Emergence of Consumption,Protection and Indigenous Values 总被引:1,自引:0,他引:1
JOHN HOLMES 《Geographical Research》2010,48(3):265-280
As elsewhere in affluent, western nations, the direction, complexity and pace of rural change in Australia can be conceptualised as a multifunctional transition in which a variable mix of consumption and protection values has emerged, contesting the former dominance of production values, and leading to greater complexity and heterogeneity in rural occupance at all scales. This transition has been explored in accessible, high-amenity landscapes driven by enhanced consumption values. Less attention has been directed to remote, marginal lands where a flimsy mode of productivist occupance can, in part, be displaced by alternative modes with the transitions being facilitated by low transfer costs. Such is the case in Australia's northern tropical savannas where an extensive mode of pastoral occupance is selectively displaced by alternative consumption, protection and Indigenous values. This transition towards multifunctional occupance is most readily documented by mapping changes in land tenure and ownership over the last three decades. Tenure changes have been accompanied by new regimes of property rights and land ownership, including: native titles derived from common law; non-transferable, common-property Aboriginal freehold tenures; transfers of pastoral leases to Indigenous and conservation interests; expansion of conservation lands under public tenures; and revisions of the rights and duties of pastoral lessees. Future occupance scenarios remain unclear, given the sensitivity of this frontier zone to national and global driving forces. 相似文献
66.
Andre Gingrich 《History & Anthropology》2015,26(1):110-128
This chapter sets out to reconsider the interrelation and non-identity between tribal and kinship relations in South-Western Arabia's history through three cumulative methodological steps that are in part inspired by renewed debates on kinship in anthropology, but also by the École des Annales and other historians such as David Sabaean. A first step identifies different legacies of interactions between history and anthropology in the Euro-American academic record after 1945, and specifies their relevance for today. In a next step, prevailing relations between tribal structures and kinship relations will be assessed through a long-distance comparison between the medieval constellations in the Zaydi highlands of Yemen and elsewhere in Asia for an eleventh century time horizon. Thirdly, the outcome of this comparative analysis should then provide some indicators for a fresh assessment of existing source materials through anthropological perspectives, with special emphasis on gender, kinship and hierarchies. The argument concludes with a discussion of “multiple histories”, and how to approach and write them. 相似文献
67.
68.
Sha Wutian 《中国历史研究》2020,53(3):208-226
Abstract Cave 17 or the cave library is located on the northern wall in the hallway of Cave 16 in Mogao Caves, Dunhuang. The murals on the cover layer of Cave 16 are closely connected with the reason why the cave library was sealed. The transformation tableaux of the thousand Buddhas on the cover layer of Cave 16 seems to reflect the thought of the Final Dharma, which could be dated in the late Guiyijun period when Dunhuang was ruled by the Cao family. In 1052, the trend of the Final-Dharma thought flourished in the Liao Dynasty. With the frequent communications between the Guiyijun regime and the Liao, this trend came to Dunhuang and merged with the original thought of the Final Dharma in this region, which tremendously impacted the Buddhist community in Dunhuang. So the local Buddhist community made the transformation tableaux on the mural of Cave 16 and also transformed Cave 17 for storing Buddhist texts as a response to the coming Final Dharma. These activities seem to have led to the eventual sealing of Cave 17. 相似文献
69.
Mary Layton Atkinson 《政策研究杂志》2020,48(1):133-156
70.