中国西部城市居民时空间行为特征研究——以西宁市为例

时空间行为研究为透视中国城市转型与发展提供了重要视角,但已有研究对中国西部城市关注较少、未能形成反映西部城市特色的结论。选取西宁市作为案例,基于2013年居民时空间行为调查数据及城市设施分布数据,分析居民时间利用、时空路径等时空行为特征及其与城市设施分布的匹配关系,以此补充微观行为视角下的中国西部城市研究,为中国城市时空行为方法论提供西部城市的验证。主要结论包括：①相比于东部城市,西宁市存在工作活动比例低、平均时长短,早通勤时间延后,午休返家,时间安排灵活等特点; ②西宁市与周边地区间存在具有高原地区特色的跨城市通勤和休闲行为; ③居民活动分布与城市设施布局存在一定的空间错位。     

六朝文化研究刍议

南方六朝即孙吴、东晋、宋、齐、梁、陈,具有一贯性相共通的特点,适合作为一个研究单元。当此六朝文化研讨及其开发应用越来越得到学界重视、政府支持、社会关心乃至引起地域文化资源争夺[1]的今天,我们有必要立足于宏观的层面,厘清相关概念,明确时代特征与文化面貌,更新认识、追求创新,这是六朝文化研究进一步深入的前提。     

试论随州金鸡岭遗址新石器时代窑址群

金鸡岭遗址窑址群是目前长江中游发现的屈家岭文化时期数量最多、形制最丰富、分布最为集中的窑址群。陶窑从形态特征看有圆形窑、长条形分室窑、长方形馒头窑三种类型,其中长条形分室窑似龙窑结构在长江流域是首次发现,为我国早期龙窑的起源提供了极为重要的研究资料。窑址附近发现的非正常死亡的人骨架可能与窑址奠基或祭祀仪式有关。该窑址群时代为屈家岭文化时期。     

南梁始建秦州考

《北齐地理志》据《梁书·徐文盛传》、《梁书·杜崱传》以证南梁始建秦州于今南京市六合区时在武帝太清年间。实际上,《梁书·徐文盛传》所载"秦州"不治今南京市六合区,《梁书·杜崱传》所载郭元建攻秦州刺史严超远岁非太清二年(548年),二者皆不可为据。经考证,本文认为南梁始建秦州于今南京市六合区宜在大宝三年(552年)三至五月间。     

Worker Co‐operatives and Spaces of Possibility: An Investigation of Subject Space at Collective Copies

Abstract: If we are to understand the organization and growth of capitalist space, should we not also seek to understand the organization and expansion of noncapitalist economic spaces? In contrast to methods employed by theorists such as Harvey, Smith and other geographers focused on capitalist space, the diverse economies framework opens up to investigation such noncapitalist spaces. In this paper, using Gibson‐Graham's “politics of possibility”, I explore the production of work space and time in a growing worker owned co‐operative copy shop in order to gain insight into the organization and growth of co‐operative space. I argue that, in this instance, co‐operative growth emerges from the transformative experience of workers having a say in their daily work lives, having equal authority to govern work space and time and to appropriate and distribute surplus.     

The Darkest Corner: documenting institutional abuse and its consequences at the Abbey Theatre

Documentary theatre, as a theatrical genre, has not maintained a continuous presence in Irish theatre. The Darkest Corner series, produced in 2010 by the Abbey Theatre, Dublin, Ireland's National Theatre is, therefore, one of the first examples of Irish theatre using the genre to address political and social issues. Presenting three plays, Gerard Mannix Flynn's James X, Richard Johnson's The Evidence I Shall Give and Mary Raftery's No Escape, the series examines the widespread abuse of children in state institutions. Before analysing the documentary play commissioned by the Abbey, Raftery's No Escape, this article will begin with an exploration of documentary theatre in Ireland. It will then examine the material used for the play, the Ryan Report, published following the Commission to Inquire into Child Abuse, something of great political and social interest to contemporary Ireland and, finally, the play itself.     

Time‐bubbles of nationalism: dynamics of solidarity ritual in lived time

The growth of modern nationalism can be attributed to structural causes, especially the growth of the strong bureaucratic state that penetrates society, creating cultural uniformity and national identity. But structurally based nationalism need not be very intense, or constant; even when institutionalised in periodic formal rituals, it can be routine, low in emotion – even boring. We need to explain sudden upsurges in popular nationalism, but also their persistence and fading in medium‐length periods of time. Nationalist surges are connected with geopolitical rises and falls in the power‐prestige of states: strong and expanding states absorb smaller particularistic identities into a prestigious whole; weaker and defeated states suffer delegitimation of the dominant nationality and fragment in sudden upsurges of localising nationalities. Passing from macro‐patterns to micro‐sociological mechanisms, conflict producing solidarity is a key mechanism: dramatic events focus widespread attention and assemble crowds into spontaneous ‘natural rituals’ – mass‐participation interaction rituals, as distinct from formal rituals. Evidence from public assemblies and the display of national symbols following the terrorist attacks of 11 September 2001 (9/11) shows an intense period of three months, then gradual return to normal internal divisions by around six months. Spontaneous rituals of national solidarity are produced not only by external conflict but by internal uprisings, where an emotional upsurge of national identity is used to legitimate insurgent crowds and discredit regimes. Although participants experience momentary feelings of historic shifts, conflict‐mobilised national solidarity lives in a 3–6‐month time‐bubble, and needs to institutionalise its successes rapidly to have long‐term effects.     

试论登封窑

登封窑包括颍阳、君召、石道、大金店、白坪、徐庄、宣化、大冶等8个乡镇,面积约500平方公里.河南登封地区古代瓷窑址的分布范围、文化面貌、年代、性质等较为清楚和一致,以“登封窑”的名称对登封地区的瓷窑址统一命名,比较合适.     

麦积山第100窟调查与年代研究

麦积山第100窟为麦积山石窟早期很重要的一个洞窟,该窟由于有过数次的重修,对之做系统的调查进而分析其始建年代与重修年代,有利于麦积山石窟成组洞窟及年代学的研究。本文在详细调查的基础上,认为该窟与第128窟等为北魏太和时期开凿,北魏晚期对该窟进行了重修,宋代再次重修。